The part @suno and the others can't match: every dollar from AI distributions flows to the @onceforcreators Artist Compensation Fund. Real artists whose work trained these models get paid when the models earn.
AIMD is a better experience than @suno . The tracks may actually sound better too.
It's built for AI music distribution first, and entirely on the @onceforcreators MCP. Generation, registration, and distribution running through one connected pipeline. https://t.co/iGDFuCRJ0y
It’s a different posture. There is a genuine child-like wonder and excitement around music creation from these AI musicians that has been missing from the music industry at large, for-the most part, for quite a while.
In observing the reactions of the past few months I’ve come to the conclusion that the CEO of Suno was pretty much right when he said musicians “don't enjoy making music”. What he meant though was “watch, all of these non-musicians will enjoy making music more than you do
And I think he's right. The “non-musicians” I’ve observed absolutely LOVE making music! And even more so they enjoy listening to it after they create it and are ecstatic to share it with others.
I think that is what is truly the most exciting thing about 2026-2030. AI will amplify this sameness to the point that we can no longer stand it, resulting in a sea change of originality.
We as a general society have been complicit in the condoning and encouraging of musical and artistic homogeneity for so long that we don’t even realize it.
Music distribution was built for forms and spreadsheets.
We built ours for AI agents.
Here’s how the ONCE MCP server lets models actually ship music, not just talk about it….
What excites me about AI in music is that it is forcing the underlying disparities and broken systems that were easy to ignore to the surface.
Who controls rights information.
How creators actually get paid.
How opaque the entire chain really is.
I am hopeful