Collector Daily

Photography Criticism from a Collector's Perspective

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We're taking a break from X/Twitter. You can still always find us on our website at https://t.co/hXWA2yA1o6, in our bi-weekly newsletter, and most recently, experimenting with sharing photobook reviews on IG (at)collector_daily.

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Photobook: Daniel Arnold, You Are What You Do. The chaos of the everyday, as seen in a tighter edit of the NYC street photographer's work. (Andrews) https://t.co/XxXNcGjV65

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Daybook: Making a connection of lineage between face and mask. Angèle Etoundi Essamba (from c1999) in room 520: Présence Africaine in the permanent collection galleries at MoMA. @MuseumModernArt https://t.co/nx9GYpDeCZ

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Daybook: A panoramic view of stacked wooden crossties. An unidentified photographer (from c1920) in room 519: The City May Now Scatter in the permanent collection galleries at MoMA. @MuseumModernArt https://t.co/jxIq02UvVl

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Daybook: Layers of watching and performing. Ilse Bing (from the 1931) in room 513: The New Spirit in Paris in the permanent collection galleries at MoMA. @MuseumModernArt https://t.co/8MeYwGmdt8

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Photobook: Samantha Box, Give Yourself the Caribbean, again. An intimately folded zine exploring the fragments and echoes of the artist's diasporic identity. (Yatskevich) https://t.co/rq3Zofr7oh

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Daybook: A frieze-like dance of solarized figures. Raoul Ubac (from the 1938) in room 517: A Surreal Lens in the permanent collection galleries at MoMA. @MuseumModernArt https://t.co/HIhu88EaW8

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Daybook: Layered figures and stuttering poster words. André Kertész (from the 1934) in room 517: A Surreal Lens in the permanent collection galleries at MoMA. @MuseumModernArt https://t.co/KwDSlI23KW

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Daybook: Menacingly encroaching tar ribbons on the sidewalk. Lee Miller (from the 1929-1932) in room 517: A Surreal Lens in the permanent collection galleries at MoMA. @MuseumModernArt https://t.co/8CIOuNwCRp

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Daybook: Cascading layers of curved lines, interrupted by gestural brightness. Ei-Q (from the 1936) in room 517: A Surreal Lens in the permanent collection galleries at MoMA. @MuseumModernArt https://t.co/yUW3got7vA

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Photobook: Cintia Tortosa Santisteban, Screenshots from a series of videos about a rice field and its surroundings. Views from the artist's balcony, capturing the calm rhythms of everyday life. (Winston) https://t.co/dMa5ByQCAG

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Daybook: A personal touch from the window of Peace Meals. Aaron Siskind (from the 1936) in room 510: Looking for Langston in the permanent collection galleries at MoMA. @MuseumModernArt https://t.co/8BG8kyQycC

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Daybook: The imposing shoulder of Paul Robeson. Edward Steichen (from the 1933) in room 510: Looking for Langston in the permanent collection galleries at MoMA. @MuseumModernArt https://t.co/erImIe5EtD

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Daybook: Capturing the casual glamour of Joyce Bryant. Carl Van Vechten (from the 1950s) in room 510: Looking for Langston in the permanent collection galleries at MoMA. @MuseumModernArt https://t.co/X6ymAYTAzA

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Daybook: Dapper tuxedos in a posed group portrait. James Van Der Zee (from 1926) in room 510: Looking for Langston in the permanent collection galleries at MoMA. @MuseumModernArt https://t.co/FMGeMrPrAm

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Year in Review: 2025 Photobook Review Statistics. https://t.co/Mo6Av8dzMt

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Daybook: Feeding Mickey and Minnie on an airplane. Felix Gonzalez-Torres (from 1989) in the As Above, So Below group show at the FLAG Art Foundation. https://t.co/1alMVV3XPz

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Daybook: Recreating the delicate light of an arched abbey. James Casebere (from 2004-2005) in the As Above, So Below group show at the FLAG Art Foundation. https://t.co/cIKHgfNLGD

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Year in Review: Top 10 Highest Priced Photography Lots at Auction in 2025. https://t.co/n6KAMDPdFw

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Daybook: An intricate combination of three adults and a baby, all arranged on a queen-sized bed. Graciela Iturbide (from 1986) at Ruiz-Healy Art. https://t.co/QcBPyebgg5