Thank you AFO and l'Orchestre national du Capitole de Toulouse for your beautiful playing conducted by Bruno Mantovani. The end of the video features the opening of my composition Eos and Tithonus. https://t.co/ObsNC62zol
Michael Heupel: solo cello concert March 12th, 20.30, Goethe-Institut, Athens. Thanks to the Greek Composers Union and to Michael Heupel for his marvelous interpretation and playing of my piece "Conversations with a Rose". The concert is a tribute to composer Sofia Gubaidulina.
A gift of a pomegranate from one of my little students. Here is "Under the Pomegranate Tree" to go along. With thanks to Chenoa Anderson, Allison Balcetis and Tetractys Publishing https://t.co/XHWy9fMDxi
https://t.co/rOHJVbcRlD
An ancient Greek vase now in the Louvre showing Eos and Tithonus. "Run away Tithonus" should be the caption. My work of that title is available on the France Musique link here. With thanks to l'Orchestre national du Capitole de Toulouse and composer/conductor Bruno Mantovani
Direction la finale du concours européen des compositrices "Unanimes !" et du concours "Prix Élan" 2024, engagé pour la création contemporaine et la mise en valeur d'une nouvelle génération artistique.
https://t.co/T8YWlz9SBi
Direction la finale du concours européen des compositrices "Unanimes !" et du concours "Prix Élan" 2024, engagé pour la création contemporaine et la mise en valeur d'une nouvelle génération artistique.
https://t.co/T8YWlz9SBi
My work Eos and Tithonus will be on Le Concert du soir, October 2nd, 20.00 (UTC+01:00), presented by Arnaud Merlin with compositions by European women composers played by the Orchestre national du capitole de Toulouse conducted by Bruno Mantovani https://t.co/avWFs7Xgc0
Thinking about @RedgateRoger 's fantastic violin music this evening - and there's a little flurry of interest in this rehearsal film of three of the caprices https://t.co/U02wZQUFgN
and lots more fun here
https://t.co/zOElVvsC6D
Coreen Morsink (Grèce/ Canada) est l’une des finalistes à concourir dans la catégorie #orchestredechambre avec sa #composition "Eos and Tithonus" jouée par l'@ONCT_Toulouse lors de la #finale du #concours#Unanimes !
13/09 | 20h | Auditorium Saint-Pierre des Cuisines, #Toulouse
@aforchestres organise le #concours de #composition#Unanimes ! Avec les #compositrices
Les œuvres seront créées par l’@ONCT_Toulouse, sous la direction du chef & compositeur Bruno Mantovani
13/09 | 20h | Auditorium St-Pierre des Cuisines, Toulouse
+ : https://t.co/SXmjPB5tFl
The programme is out and tickets are available for reservation (free). Friday September 13th, Toulouse, France. My work for chamber orchestra, Eos and Tithonus will be premiered. With thanks to the jury and the AFO #aforchestres https://t.co/bKMwq30vs6
La pianista y compositora griego-canadiense, Coreen Morsink, se centra en el uso de la música griega antigua y sistemas de afinación microtonales inusuales como trampolín para nuevas obras contemporáneas.
Para piccolo solo creó "Transformations in flight".
The Summer ACWC Journal is now available with my article about the concert I organized featuring the compositions of Canadian and Greek women composers https://t.co/cqFlBMZE91 and https://t.co/QLyWFZeymm Thanks again to the ACWC and all the composers and musicians involved.
From the concert last night! Bravo to all! The link to the live-streaming is still available here. https://t.co/VHpBvxUTjb photo credits to Rachel Voase. Thanks to the ACWC
With thanks to @PacoVaroch for his wonderful recording of my composition "Transformations in Flight" for solo piccolo. Listen here: https://t.co/G3Dg03tTor photo of a hoopoe on our balcony by my daughter
Paco Varoch will give the World Premiere of my work for piccolo, Transformations in Flight in Mostra Sonora Sueca music festival, Sueca/Valencia, Spain https://t.co/nLg21Oxaco June 2, 12:30 at L’ESPAI FUSTER works: Sungji Hong, Coreen Morsink, Kaija Saariaho, Carla Rees + more
Goldsmiths has always been a fantastic, creative environment. Our amazing students are supporting their lecturer's fight against management's proposed sacking of 133 academics! Join them in support and retweet. #NotADoneDeal#Goldsmithsucu, #BintheTP
With thanks to Kenneth Hesketh for quoting my composition in his chapter in the Cambridge Companion to Composition and to Carla Rees who made "Andromache" for quarter tone alto flute possible through her expertise and collaboration. https://t.co/ZduGfyNlLB