CourtneyJackson

Anime is life! ❤️ mixed with just about everything. 👌🏼😂 ♓️

[CourtneyJackson @Courtneyj100]

Need black owned businesses. Everything to clothes, cosmetics, food, jewelry, restaurants, etc. I’m slowly trying to get to them as soon as I can. Saving here and there 💰. So please link your business 💙🙏🏼 #BlackOwnedBusinesses thread

[Versatile Onochie-Obayuwana @RealVersatile]

@VintageSitcoms Or we can celebrate them both. Always keep talking

[Amunet @VintageSitcoms]

Can we stop talking about Raven Symone and give Kyla Pratt the flowers she deserves? This girl carried a generation on her back with Proud Family, Dr. Doolittle, One on One, love, basketball, Fat Albert. Come on.🖤

[🦋 🌷Love Music 🎶 & Dance 💃🏻🕺🏻 @Tiana_Celine_23]

The Piano That Conquered 72,000 People

Imagine walking onto a stage in front of 72,000 people at Wembley Stadium, with nearly two billion watching around the world. You don’t grab a microphone and charge the crowd. You sit down at a piano. Then you begin one of the most ambitious songs ever written as if the pressure does not exist.

That is exactly what Freddie Mercury did on 13 July 1985.

Queen had only 20 minutes at Live Aid. They had rehearsed hard and chosen their strongest moments. They opened with the piano ballad section of Bohemian Rhapsody before exploding into Radio Ga Ga. The clip circulating now captures the first part of that set: Freddie in the white tank top and white trousers, seated at the grand piano, playing and singing while the entire stadium holds its breath.

Watch his face. He is not performing at the song. He is inside it. Sweat runs down his temples. His eyes close or drop to the keys. When he leans into the microphone the intensity is almost uncomfortable. This is not polished showmanship. It is complete surrender to the music in front of the largest audience of his life.

Then he stands.

The energy shifts instantly. The man who had just delivered a delicate, demanding piano vocal now seizes the microphone stand like a weapon and takes ownership of the entire stadium. The seated virtuoso becomes the swaggering frontman without missing a beat. That transition is the point. Most singers pick one mode. Freddie occupied both at once.

Live Aid was not a normal gig. The schedule was brutal. Soundchecks were limited. The world’s biggest stars were watching from the wings. Any hesitation would have been visible to millions. Freddie showed none. He sat at that piano with the calm of someone practising at home, then rose as if the stage had always belonged to him.

Technique alone does not explain it. Plenty of singers can hit the notes. Far fewer can play piano and sing Bohemian Rhapsody live without the performance collapsing under its own complexity. Even fewer can do it while radiating the sense that 72,000 people are in the palm of their hand. Charisma is usually associated with movement and volume. Freddie proved it can also come from stillness. Even seated, no one looked anywhere else.

The historical context makes it sharper. Queen were not the flavour of the month in 1985. Bigger contemporary names were on the bill. Yet this 21-minute set is routinely ranked among the greatest live rock performances ever given. The reason is simple. For those minutes Freddie Mercury was not merely a singer with a band. He was the complete artist: musician, vocalist, conductor, and force of nature.

The clip does not just show a great vocal. It shows a man who could sit down in front of the world, play a difficult song with total command, and then stand up and remind everyone why rock stars exist. He did not just appear on that stage.

He took it.

[CourtneyJackson @Courtneyj100]

@CybershroomDev @PinkyHipster It’s okay I have my daughter watch what we had as kids but yes it’s sad they don’t make them like they used to

[CourtneyJackson @Courtneyj100]

@ThatReeseWilson @uscfan981 It’s coming back…but it don’t look the same tho

[CourtneyJackson @Courtneyj100]

@danilocsts This one of my fav cartoons growing up

[dan @danilocsts]

um herói negro sensacional com o melhor amigo gay, imagine o surto dos esquisitos se super choque fosse lançado hoje em dia

[SVX @SilentvillanX]

That ATM got me 😂😂

[My Mixtapez @mymixtapez]

Legendary Latin American voice actor of Scooby-Doo, Francisco “Don Paco” Reséndez, has sadly passed away at 85 🕊💔

[JayKwellin @Jaquan_Amonte]

Miley knew!!

[𝑙𝑦𝑟𝑎 @naturehealyou]

the earth showing off again

[Onii Chan @oniichanph]

The beloved voice of Ord has sadly passed away today at 85 🕊️

Francisco Reséndez, The veteran voice actor and dubbing director has passed away at the age of 85, leaving behind more than six decades of work that became part of countless childhood memories. Reséndez served as Ord’s voice during the early episodes of Dragon Tales, helping introduce Latin American audiences to the gentle, sometimes nervous dragon whose loyalty to Max, Emmy, Cassie and his friends made him one of the show’s most endearing characters.

His career extended far beyond Dragon Land. Reséndez was also remembered as a classic voice of Scooby-Doo, Commander Dot Pixis in Attack on Titan, Makarov Dreyar in Fairy Tail, and Pops in Disenchantment. Behind the microphone, he also directed Latin American dubbing for major productions including early seasons of The Simpsons and Dragon Tales.

But for a generation of young viewers, there will always be something special about hearing his voice come from that big blue dragon.

Ord was gentle, loyal and impossible not to love. Francisco Reséndez helped give that childhood favorite his voice.

Rest in peace, Don Paco. The characters may belong to animation, but the memories attached to his voice were very real. 🕊️❤️

[CourtneyJackson @Courtneyj100]

@khnh80044 I remember this!

[CourtneyJackson @Courtneyj100]

@tvwriteher And loved all of them 🥰

[𝐍📓💜 @tvwriteher]

We use to have so many options of black tv 😩

[kay @velmorite]

EVERYONE GET MORE ANTI AI NOW!!!!!!!!!

[LiberianGirl 🍉 @LiberianGirl779]

Those who say Michael lost his voice in later years couldn't name a single other artist who could deliver an acappella Bible study like he did here

[Onii Chan @oniichanph]

Again, we say goodbye to another legend today at 66 🕊️🎙️

One of the most recognizable voices in dubbing has gone silent.

Veteran voice actor Ettore Zuim has passed away at 66, leaving behind more than four decades of work across animation, anime, movies, television and video games.

For Disney fans, he became especially memorable as the Brazilian Portuguese voice of Hercules in the 1997 animated classic and David Kawena in Lilo & Stitch. DC fans also knew him as Bruce Wayne / Batman, dubbing Christian Bale throughout The Dark Knight trilogy and portraying the character in games including Batman: Arkham Origins, Arkham Knight and Injustice: Gods Among Us.

His incredible list of characters also included:
• Hercules — Hercules
• Bruce Wayne / Batman — The Dark Knight Trilogy / Batman: Arkham / Injustice
• Dracule Mihawk — One Piece
• Mugen — Samurai Champloo
• Prince Charming — Shrek 2 / Shrek the Third
• Nigel Uno / Numbuh 1 — Codename: Kids Next Door
• Jon Arbuckle — Garfield
• Yakko Warner — Animaniacs
• Heiter — Frieren: Beyond Journey’s End
• Eric the Cavalier — Dungeons & Dragons
• Fire Lord Sozin — Avatar: The Last Airbender
• Noah — Total Drama
• Hotstreak — Static Shock
• Shen — League of Legends
• David Kawena — Lilo & Stitch

From Disney and DC to One Piece, Frieren, Shrek and gaming, Ettore Zuim helped make characters from around the world feel at home to generations of Portuguese-speaking fans.

Rest in peace, Ettore Zuim. The characters will remain, and so will the voice that made so many of them unforgettable. 🕯️

[CourtneyJackson @Courtneyj100]

@LucifersTweetz Regardless what I believe in I like people or I don’t like people cause how they act 🤷🏻‍♀️

[chiara ☾ 🧚‍♀️ @wascrivodizain]

scusate ma questo livello di rom com anni 2000 non potrà mai più essere raggiunto