@DDit94444@SvetlanaWit@SikPavel Ty jsi úplná piča? Neumíš si najít, pro koho pracuje? Víš, co je zač ta firma? Netušíš, co má ten zmrd za sebou a kolik lidí kvůli němu trpělo? Ty důkaze..nevíš nic.
@SvetlanaWit@SikPavel Aby ses neposrala. Šíříš lži a propagandu za peníze každý den, Kolář aktivně poškozuje Českou republiku, amorální zrůda v žoldu vojensko-průmyslového komplexu.
TEXAS UNDER SIEGE: Dallas Streets Taken Over by Massive Muslim Procession.
HAPPENING RIGHT NOW IN DALLAS Hundreds gather for a Shia-style Juloos — a public religious procession with black and green flags displaying Arabic script.
Crowds in black fill sidewalks and spill into the street near downtown landmarks as cars navigate around them.
Mosques in Dallas proper: ~50+
Muslim population in the Dallas area: 100,000–140,000 and growing fast.
Americans are sick of watching our cities transform like this. Mass migration and open borders have consequences.
THIS IS FUCKING SICK ✡️🇮🇱
Israelis are setting up outdoor screens to stream and cheer as entire Lebanese towns are wiped to rubble by the IDF.
These are ordinary civilians, not soldiers or officials, gathering to applaud destruction and death.
I saw the movie Citizen Vigilante, of which here is an excerpt.
It has been banned in Germany, and perhaps soon in the rest of Europe.
Regardless of its aesthetic quality - mediocre, but that is of no importance here - it is a historical work.
I have no doubt that the final quarter of the film will become, for European resisters fighting against the Great Replacement, a totem, a founding myth.
Do not listen to those who will review it as cinephiles - and I think that snobbish people, even on the right, will make that mistake - because that criticism is beside the point.
The director’s goal is not to tell a "story", but our reality. It is a militant film, raw, without artifice, almost a tract. “Citizen Vigilante” is the revenge of popular culture on classical and famous Art, which no longer deserves respect since it decided to stop accounting for reality.
In this movie, we see a white mother have her throat slit by a Black man in the very first five minutes; nothing is spared us. A blond-haired, blue-eyed man decides to take up arms and avenge all the victims of mass immigration, but also the judges who deliberately allow rapists and criminals to leave prison. Through the voice of his "hero", the filmmaker delivers this message to a police commissioner in the final seconds: “if the politicians who pay you do not fight against Islamism and the woke left, the population will soon do as I do and carry out a great clean-up themselves.”
It is not a masterpiece; it's a cult film. The film of a generation betrayed by its politicians, its journalists, its artistic representatives, its justice system, and part of the population, too selfish or stupid to react to the destruction of our nations and our blood.
Uwe Boll is not, and never will be, Stanley Kubrick. But because he courageously exposed in his film the truth of our time - which almost no director ever does - he has, in my view, entered History.
Congratulations.
I will help finance his next film if he needs help. And tens of thousands of us will do the same.
Mohammad, de Somalia, abusó de una menor japonesa.
La niña empezó a llorar y él la desvistió.
La policía japonesa se "encargó" de él y difundió el video para que ningún inmigrante cometiera un delito similar en el futuro.
¿Apoyas a la policía de Japón?
@dagmar_peckova Bez privatizace nebudou tato media svobodna a neziavisla na statu a politicích nikdy. Požadujete tedy privatizaci?
Citace: “Na burzu s tou píčovinou”.
https://t.co/N419dPJ3Ad