@MarkDHughes1007@RayBurtonSAS Depends on how you approach the question. The kingdom of Israel also fiction. The romans named the area Palestine, once they had enough of the jews resistance.
That area was and always been mixed.
Israel only exist, because both the USA and the USSR wanted it as a puppet state.
During the Spanish Civil War, Communists killed nuns then dug up their bodies and put them on public display for mockery, chopped off the hands of priests and murdered thousands priests, nuns and monks. They also burned down hundreds of churches.
The message is good, although a humour can be misinterpreted.
It's 100% AI made as far as I understand, but I can actually support this.
https://t.co/eVdIp8Gor6
Title:-Not on my watch 😀 aka
No more babies
Prompt:-
Create a 15-second cinematic 2D anime sequence in a warm, nostalgic late-90s/early-2000s anime aesthetic. A loving family of three sits together in a cozy living room at night: a muscular bearded father with messy dark hair in a loose black shirt, a gentle mother with shoulder-length dark hair wearing a cream sweater, and their adorable young daughter with brown hair in two pigtails tied with pink ribbons, wearing a pink heart-print pajama top.
Shot 1 — 0–4s: Wide establishing shot of the family relaxing together on a brown sofa in a warmly lit living room. The father sits comfortably with the little girl beside him while the mother sits close on the other side. Soft orange lamp light, natural shadows, cozy home interior. The child looks around curiously while the parents exchange subtle affectionate expressions.
Shot 2 — 4–7s: Medium close-up of the father and daughter. The little girl shifts closer against her father while looking up at him with a playful, slightly stubborn expression. The father gently adjusts his arm around her. Subtle facial animation, natural blinking, small head movements and believable anime body motion.
Shot 3 — 7–10s: Cut to the mother and daughter. The mother looks toward the child and speaks gently, raising one hand in a casual conversational gesture. The daughter looks up at her mother, listening attentively. Warm interior lighting gradually transitions toward cooler nighttime tones.
Shot 4 — 10–12s: Transition to the bedroom at night. The same family is now lying together comfortably in a large bed under a blue-gray blanket. The father is on one side, mother on the other, and the little girl sleeps peacefully between them. Moonlight enters through the window, creating soft blue illumination.
Shot 5 — 12–15s: Slow intimate close-up of the sleeping child, peacefully nestled against her father. Then gently shift focus toward the mother lying awake beside them. She gazes upward thoughtfully with a quiet emotional expression as the curtains move slightly from a soft nighttime breeze.
Visual style: high-quality hand-drawn Japanese anime, expressive eyes, detailed hair strands, clean linework, subtle cel shading, cinematic composition, natural character animation, soft film grain, beautiful warm-to-cool lighting transition, atmospheric nighttime ambience, emotionally intimate family scene, consistent character designs throughout, smooth camera movements, shallow depth-of-field where appropriate.
Negative prompt: photorealistic, 3D CGI, live action, plastic skin, distorted anatomy, extra fingers, extra limbs, inconsistent faces, changing hairstyles, changing clothing, character duplication, flickering, jittery animation, warped backgrounds, text, subtitles, watermark, oversaturated colors, excessive motion blur.
Title:-Not on my watch 😀 aka
No more babies
Prompt:-
Create a 15-second cinematic 2D anime sequence in a warm, nostalgic late-90s/early-2000s anime aesthetic. A loving family of three sits together in a cozy living room at night: a muscular bearded father with messy dark hair in a loose black shirt, a gentle mother with shoulder-length dark hair wearing a cream sweater, and their adorable young daughter with brown hair in two pigtails tied with pink ribbons, wearing a pink heart-print pajama top.
Shot 1 — 0–4s: Wide establishing shot of the family relaxing together on a brown sofa in a warmly lit living room. The father sits comfortably with the little girl beside him while the mother sits close on the other side. Soft orange lamp light, natural shadows, cozy home interior. The child looks around curiously while the parents exchange subtle affectionate expressions.
Shot 2 — 4–7s: Medium close-up of the father and daughter. The little girl shifts closer against her father while looking up at him with a playful, slightly stubborn expression. The father gently adjusts his arm around her. Subtle facial animation, natural blinking, small head movements and believable anime body motion.
Shot 3 — 7–10s: Cut to the mother and daughter. The mother looks toward the child and speaks gently, raising one hand in a casual conversational gesture. The daughter looks up at her mother, listening attentively. Warm interior lighting gradually transitions toward cooler nighttime tones.
Shot 4 — 10–12s: Transition to the bedroom at night. The same family is now lying together comfortably in a large bed under a blue-gray blanket. The father is on one side, mother on the other, and the little girl sleeps peacefully between them. Moonlight enters through the window, creating soft blue illumination.
Shot 5 — 12–15s: Slow intimate close-up of the sleeping child, peacefully nestled against her father. Then gently shift focus toward the mother lying awake beside them. She gazes upward thoughtfully with a quiet emotional expression as the curtains move slightly from a soft nighttime breeze.
Visual style: high-quality hand-drawn Japanese anime, expressive eyes, detailed hair strands, clean linework, subtle cel shading, cinematic composition, natural character animation, soft film grain, beautiful warm-to-cool lighting transition, atmospheric nighttime ambience, emotionally intimate family scene, consistent character designs throughout, smooth camera movements, shallow depth-of-field where appropriate.
Negative prompt: photorealistic, 3D CGI, live action, plastic skin, distorted anatomy, extra fingers, extra limbs, inconsistent faces, changing hairstyles, changing clothing, character duplication, flickering, jittery animation, warped backgrounds, text, subtitles, watermark, oversaturated colors, excessive motion blur.
سائق شاحنة صيني لم يعد يحتمل بُعد زوجته وطفله بسبب طبيعة عمله فقرر اصطحابهما معه في رحلاته الطويلة وبعدها حصلت زوجته على رخصة قيادة الشاحنات
وأصبح يتناوبان القيادة ليبقيا معًا كأسرة واحدة ❤️🚛.
@PLPT_llb@grok This was beyond Grok's limits. But long story short. This is a 50/50. This is a real thing in China, but it can't be confirmed, if this is a real one.
Powdur and Leafit fight the Quangos' zombie army.
At the moment, my current optimizations make the fast actions start looking a little grainy... Also pretty far from the kind of insane anime effects that studios like UFOtable have.
THEY keep screaming: "WOMEN COULDN'T HAVE BANK ACCOUNTS UNTIL 1974!"
That's a FLAT OUT LIE and you are embarrassing yourself.
Let me educate you like you're 5 years old.
FACT: Single women have ALWAYS been able to open bank accounts. In 1910, 1920, 1950, 1960. Always. Even before women got the right to vote.
The line you purposely skip over says: "MARRIED women faced more restrictions than UNMARRIED women."
WHY? Because the law said A HUSBAND PAYS HIS WIFE'S DEBTS.
Read that again. HER debt = HIS problem.
So if a married woman in 1962 wanted a credit card and then spent $10,000, guess who the bank had to chase? HER HUSBAND. Even if she had her own job.
Do you think ANY bank is dumb enough to give money to Person A when Person B is legally forced to pay it back?
Of course they want Person B's signature. That's not sexism. That's BUSINESS.
The Equal Credit Opportunity Act of 1974 didn't "finally allow women to have bank accounts" you dumb illiterate.
It did the OPPOSITE of what you think. It said: Women can now be SUED for their OWN debt.
Women can now be held LIABLE. Women can now go BANKRUPT on their own without hiding behind their husband.
You weren't oppressed. You were SHIELDED from the real world that men had to deal with.
That’s your evidence below.
@_MaxNeon_@ROBO_F8 Oh don't worry... they understand the tools they're selling way better, than you.
Get off the high horse and return to reality.
The offered you one contract and you accepted it.
This isn't a McDonalds meal, where you can customise your order.
You’re choosing to use the platform knowing what it does with your data.
You can dislike the practice, but “against my will” is a strange way to describe voluntarily continuing to use a service after being told how your data is used.
You’re still feeding the system.
@icreatelife You're oversimplifying the statement. AI can be used to create art, but most of it will be just shiny objects. Is this Art? No, it's just a shiny object. There's no meaning or message behind it. Art is about exploring the human condition. Not just mass producing shiny objects.