Culture Crypt

Culture Crypt is a reliable source for genre movie reviews and pop culture, focusing on indie horror film entertainment. Email: culturecrypt @ gmail

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Never mind its faithfulness to the franchise, Zach Cregger’s RESIDENT EVIL is a gory good time. Movie Review: https://t.co/WU0AJOgkrX

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The main objective of CRAWLERS is to creep out arachnophobes with goosebump-giving chills. Movie Review: https://t.co/T2SBybeyhj

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THE CYCLE with Deborah Ann Woll is not “The Thing” meets “Silence of the Lambs.” Its police procedural operates more like a horror “Law & Order.” Movie Review: https://t.co/I0XJB4XReE

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BUDDY blends horror and humor with savage, silly style like only Casper Kelly can deliver. Movie Review: https://t.co/Wo2bCFbUd2

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It’s safe to say if you enjoyed THE GUEST with Dan Stevens, you’ll enjoy ONSLAUGHT. Movie Review: https://t.co/cKVd8AxdYu

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“Worst” is too subjective, but V/H/S/Mixtape is at least the sloppiest and schlockiest of the long-running anthology series. Movie Review: https://t.co/6SwzgC0rI3

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FALL 2: DEADPOINT has a harder time hitting the same heights as the first film. Movie Review: https://t.co/OQfF67btHB

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The effort behind “found footage” film INFIRMARY might be commendable, but unfortunately, the final movie is not recommendable. Review: https://t.co/iBMXAehVd8

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Instead of throwaway Netflix thrillers, it’s great to see someone like Anne Hathaway spending her downtime from Christopher Nolan epics in the fun Amblin adventure of THE END OF OAK STREET. Movie Review: https://t.co/Jv3C6WdPRR

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Discerning tastes might want something with more flavor than what Eli Roth serves up with ICE CREAM MAN. Movie Review: https://t.co/zaRRXvv5fz

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SACCHARINE has a hard time getting out from under the shadow of THE SUBSTANCE. Movie Review: https://t.co/92JI7csrap

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Interesting idea. Uninteresting execution. BIG BABY Movie Review: https://t.co/dTNIG9312l

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PINOCCHIO: UNSTRUNG might mark a rescue effort to take the “Twisted Childhood Universe” from borderline unwatchable to borderline recommendable. Movie Review: https://t.co/gU3LDQIMFo

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Shudder’s NIGHTBORN starring Rupert Grint might look like another demonic pregnancy movie, but there’s a lot more lurking in its slow-burn suspense. Review: https://t.co/tPdYrKOSug

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If you enjoy watching top-talent actors like Michael Keaton and Robert De Niro reciting lines from chairs, Netflix’s THE WHISPER MAN might be the snoozer for you. Movie Review: https://t.co/liEPF2aS9U

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The cast of LOCKBOX plays their parts with such mismatched quirkiness that the movie ends up with a kooky personality, too. Review: https://t.co/IGOh4BfEfQ

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Without its gimmick of being a real-time movie shot to look like one take, there might not be much to say about BURY THE DEVIL. Review: https://t.co/dMG5tfWBSB

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Neon’s release plan for IT ENDS is just about as unconventional and experimental as the movie itself. Review: https://t.co/pD58Gek3Ch

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Debut features from first-time directors usually aren’t as consistently competent or as thoughtfully staged as HELLCAT, now streaming on Shudder. Movie Review: https://t.co/jAX8LBUQgm

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The family in THE LAST HOUSE has only two DVDs to watch the entire time they’re trapped. Can you imagine if one of them was this movie? Review: https://t.co/ANauFAYg7U