Culture Crypt

Culture Crypt is a reliable source for genre movie reviews and pop culture, focusing on indie horror film entertainment. Email: culturecrypt @ gmail

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HOKUM with Adam Scott evolves into a self-contained creeper that’s further cementing filmmaker Damian McCarthy as a master of effective, artistic, and unsettling eeriness. Movie Review: https://t.co/CZ9J99iKuj

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For fans of cool curiosities like WNUF HALLOWEEN SPECIAL, BUFFET INFINITY offers a can’t-miss trip through after-hours TV and amusing extraterrestrial terror that an ordinary movie wouldn’t dare dabble in. Review: https://t.co/T6xVobRvpD

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If Lee Cronin makes a werewolf movie, will it be titled LEE CRONIN’S DRACULA? THE MUMMY Review: https://t.co/7tlNvj5lOw

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Like the 1978 original, viewers of 2026’s FACES OF DEATH feat. Dacre Montgomery may ask if the movie is real or fake, but this time the question has to do with context, not content. Review: https://t.co/4OGxRxCC8A

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SELF-HELP is a lowkey thriller slowly burning a warm wick of horror within the soft wax of character-focused drama. Movie Review: https://t.co/iBsfnDrJlH

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Incredibly, EXIT 8 is far more immersive, meaningful, and memorable than the dull, repetitive, and frustrating video game it’s based on. Movie Review: https://t.co/j9uEqLGmMD

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THEY WILL KILL YOU feels less like a movie and more like a demo reel for the director and cinematographer to stage stunts. Review: https://t.co/fYZfBBXLLZ

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The mockbuster masters at The Asylum make a WWE fighting fantasy out of a sixth grader’s history textbook with IMMORTAL COMBAT. Movie Review: https://t.co/OJ9sIZeLhc

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Which came first, Image Comics and James Tynion’s Exquisite Corpses comic or the Samara Weaving-starring READY OR NOT 2: HERE I COME? Movie Review: https://t.co/r1mu9S88K8

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A24’s UNDERTONE plays a little like an aural counterpart to the visuals-based horror of SKINAMARINK. Movie Review: https://t.co/eTsEiRAp6a

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Netflix’s THRASH dumps another bland bucket of chum in the already overcrowded ocean of shark movies. Review: https://t.co/ZWQ2BdTCtF

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Choking on cliches, PSYCHO KILLER trots out trope after trope to create a copycat serial killer thriller. Movie Review: https://t.co/SvlO9YmeIx

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Without the grindhouse feel of being shot on 16mm film, there isn’t much else to distinguish DOLLY from a glut of similar masked murderer movies. Review: https://t.co/xKWlLApxcX

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If you want to watch two men yell at each other in between wrestling matches with alien puppets, JIMMY AND STIGGS has that covered. Movie Review: https://t.co/8Z5nDfjgtF

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Having not played the game it’s based on, I can’t say how well THE MORTUARY ASSISTANT works as an adaptation. I can say it doesn’t work well as a commercial that makes me want to play it. Movie Review: https://t.co/yaDqVUHrIz

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More about the journey than the destination, there’s no driver better suited to be behind SEND HELP’s wild wheel than Sam Raimi. Movie Review: https://t.co/5DjL1EXQY0

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SCURRY has a good gimmick (shot and edited to look like one take). What it doesn’t have is a compelling story to fit that format. Movie Review: https://t.co/ZrraHJryhZ

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Only biting off what its indie mouth can chew, BODYCAM is more of a snack than a meal, but it’s perfectly portioned for its smaller size. Movie Review: https://t.co/cpy8ITwEP4

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COLD STORAGE - a horror/comedy for Liam Neeson fans who have always wanted to see the actor deliver exposition over a phone in no less than four separate scenes. Movie Review: https://t.co/s34sdyl1xv

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It’s as if the filmmakers made THE STRANGERS: CHAPTER 3 only 80 minutes long because they knew viewers wanted this misguided trilogy over with as fast as possible. Movie Review: https://t.co/6RyPl7G4AD