I see there's a new Tina Brown interview floating around so this is as good a time as any to remind you that in 1995 the @NewYorker published a twenty-five page "fable" consisting of color photos taken by Richard Avedon showing a model posing with a dressed skeleton.
Journey with me, deeper than you ever wanted to, into the absolute nightmare/hallucinatory paradise/unrepeatable cultural phenomenon that is CATS https://t.co/KRbmjJH5Em
I went to Beverly Hills and posed as a would-be patient at the offices of the top celebrity plastic surgeons to see what I could learn about the arms race between digital and physical improvement that is Instagram Face https://t.co/kw9I6qfM8y
I wrote about Yoko Ogawa's phenomenal novel The Memory Police, which (like The Underground Railroad & Exit West) draws its power from updating an allegorical device that I haven't been able to stop thinking about https://t.co/SKrBqjsmdA
.@newyorker is launching a documentary series. Check out the short films that are part of the series so far. Filmmakers, submit your documentaries for consideration! https://t.co/LRWxp3J7gi
It's #GuyFawkesDay! Aka Gunpowder Night, aka Bonfire Night. As night falls, consider the evolution of #GuyFawkes from archvillain to Guy Smiley. @AllanMetcalf https://t.co/vHOBmhOk60
Calling all grammar wonks! We’re hiring a copy editor for The New Yorker’s web (Web) team! (The listing is for a producer, but it’s mostly copy.) https://t.co/Uo3ZV6HRCG
For my latest archival newsletter on "All the President's Men," I dug up @NewYorker's original Goings On About Town capsule review of the 1972 film, "Deep Throat." #newyorkerclassics https://t.co/ky6yLVyY8f