Throwback to The Mapmaker of Lagos!
Surv. Olukunle Akinola took the reins as Lagos' first Surveyor-General, surveying swamps, untangling chaos, and plotting a future for Africa's megacity. With boots on the ground and a ruler in hand, he tamed the unknown, laying coordinates that would shape Lagos' growth, resilience, and possibility. His wasn't just mapping—it was crafting a blueprint for a city racing toward the future.
Surv. Olukunle Akinola's legacy lives in every Lagos street, building, and skyline. A trailblazer of integrity, humility, and service, he guided Lagos through uncharted expansion until 1987. On October 11, 2025, the mapmaker with a vision passed away peacefully at 94 (Oct 31, 1931 - Oct 11, 2025). His work remains: Lagos, still spinning, still growing, still rising, still unstoppable.
Source: https://t.co/qYOzuVcApi,
wikipedia
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Nigeria has such untapped tourism potential. A friend is visiting Nigeria for the first time and this is what they have mapped out to visit.
I looked at the list and was like okay this is actually a good plan.
The biggest barrier to more people walking in Nigeria is temperature. So whenever we get around to figuring sidewalks, we have to also plant trees along the way to keep them shaded.
Whenever I researched young men from older Nigerian societies, I noticed that they always have personal style and they dress for the climate. It's common among the ones who were alive in the 50s and 60s
Something went wrong with the personal style of the Nigerian man somewhere,
Between August 2024 and July 2025, the Lagos State Domestic and Sexual Violence Agency attended to 8,692 cases.
Guess where it’s happening?
Your estate. Your place of worship. Maybe your street.
Abuse thrives in silence!
0-8000-333-333
SGBV - It Concerns Us All!!!
Foreigners saw you making music for your home, fell in love with your novel authenticity, essence, and how it moved your people.
Once they started giving you money, you decided to ruin your working formula, deny and disparage your people, and cater exclusively to foreigners. They in turn routinely rejected this new and unfamiliar thing you've created for them.
They've stopped giving you money, and now you're all back to square one, making music for Nigerians, exactly what you were supposed to do.
The story of 'Afrobeats to the world' is one of self-denial, creative misdirection and a lack of cultural commitment to ourselves.