I used Claude for years, but GPT is now my main AI tool. A major advantage is that web and Codex usage have separate limits. I’m on the Pro x5 plan, and it feels more than sufficient. Pro mode is especially impressive—its research capabilities are excellent.🔥
Or… what if we gave you $100 in Codex credits if you tell us what you love about GPT-5.6 Sol or why you switched?
Tweet it, claim your gift, enjoy more usage. First 10k get the free tokens!
https://t.co/8mU93eA13i
Proudly introducing my upcoming series, "Conversations between Nature’s Memory" 🏞️🧠
What if nature could remember?
What if forests, roots, fungi, and soil were constantly speaking to each other through invisible systems we never learned how to hear?
Conversations between Nature’s Memory imagines a living dialogue between two interconnected ecosystems, one above soil and one below. Growth, decay, fusion, and redistribution unfold through a mycelium-inspired system where every action reshapes another.
An AI observes these exchanges and attempts to translate them into fragments of memory, care, and seasonal change, but the language always remains incomplete.
The work premiered at La Biennale di Venezia 2026 as part of As Above, So Below.
Organized by One Ocean Foundation
Conceived by ZEITGEIST19
Curated by Farah Piriye Coene & Elizabeth Zhivkova
Drop mechanics in comments 👇
Dear collectors, finally my a dedicated portal for you ready. ➡️ https://t.co/yizF4t0CSy
Current features:
- Connect ETH & BTC wallets
- See all artworks together
- Download hi-res files of artworks
- See personalized analytics
- View all on-chain activities together
Soon:
- Order prints&physcials of your digital artworks
- Tier based rewards
- Commission on-chain artworks
December. I made the hardest call, shut everything down. Fired the entire team, let go of every contractor, and moved to San Francisco with nothing but conviction.
January. I didn’t hire people, I built my own team. OpenClaw with ClaudeCode agents. No meetings, no delays, just pure execution.
Three months later, the results speak for themselves. What took the old team year, I surpassed in half the time. Faster, sharper, cleaner.
Now I can finally say it, all major features of https://t.co/fAvn2Qoerq are done.
This is just the beginning.
Join the waitlist. Bring your friends. Stay close.
Over the past few years, I’ve had the privilege of listening.
Not just looking at artworks, but crossing through them, following the voices, the hesitations, the silences, and the breaths of those who created them.
I’ve written editorials and interviews dedicated to dozens of extraordinary artists: from @Jesperish to @samanthacavet , from @kolahonn to @A_Mashiro_nft , from @louisdazy to @haydclay , from @tormius to @1dontknows , from @EfdotStudio to @mendezmendez , and many others who have left an indelible mark on this space.
Each of them reminded me that art is not only what we see, but what happens within us when we stop trying to understand and start to feel.
In the digital world, where everything moves fast and we often linger only on the surface of an image, I believe that learning to listen again is a revolutionary act.
With @Ninfa_io , we wanted to create a place where art could breathe, where words become a bridge: between the artist and the viewer, between gesture and memory, between image and the invisible.
Each editorial has been a journey, into a vision, a language, a way of existing in the world.
And I truly believe that, in a space like this, getting to know the artists is the most authentic form of collecting.
Owning an artwork is not enough; one must be moved by the thought that generated it, understand the fears, the obsessions, the tenderness and the effort that made it possible.
I invite you to (re)discover these stories on https://t.co/9Bme648DJn to read, to listen, to pause.
To take advantage of this rare opportunity to get closer to the artists, to understand who they truly are behind the pixels, the textures, the lights, and the titles.
Because digital art, like every form of art, needs depth.
And perhaps, among all the things we can do in this space, learning to listen remains the most revolutionary of all.
VISIONS 👁️ October 30th, ⛵️ @OpenSea
Each work is interactive, every touch triggers images to rewrite themselves, just as our perception is re-written with each memory.
Read more about series, Interact with artworks, check your wallet eligibility 👉🌐 https://t.co/M6saQTeL8p
VISIONS 👁️ October 30th,⛵️@OpenSea
The series illustrates how memory is deceptive, how it mutates and distorts.
Each work is interactive, every touch triggers images to rewrite themselves, just as our perception is re-written with each memory.
More information 👇
Visions – a series of procedural data paintings in perpetual flux.
Today, misinformation spreads faster than truth through social media and algorithms, blurring the line between real and false. “Visions” unfolds as an interactive field of fragmented, ever-changing images. At the viewer’s touch, each image mutates like memory itself - unstable, distorted, never fixed.
30th October on ⛵️ @OpenSea
Get ready to misremember.