Es gibt eine Petition für die Freilassung von #SonjaNientiet. Verfolge den Fall seit Jahren und war optimistisch, dass hier die benötigten 30.000 Unterschriften zusammen kommen würden, aber es hat leider nur zu einem
Drittel davon gereicht. Ihr Schicksal hat leider keine Prio bei der BuRe. 😫
https://t.co/axnTvQsGKk
This 76-year-old Madison potter and his tiny orange kitten Georgie have the internet in a chokehold. While John works the wheel, Georgie just hangs out in the apron pocket like the world’s calmest studio assistant.
Would you trust your cat this close to a spinning pottery wheel? 🐱✨
(Credit: via @baydabay on Threads)
Los ejecutivos de Warner Bros. y Netflix, tras ver este video de 48 segundos, congelaron directamente un proyecto de gran película épica histórica de 100 millones de dólares.
Un creador independiente de 20 años, con un presupuesto de CGI cero, generó una escena hiperrealista: un bloguero de viajes que viaja en el tiempo, entrevistando al rey Leónidas en las Termópilas del año 480 a.C.
Costo total de montaje: 25 dólares.
Velocidad de renderizado: 4 minutos.
Contrataciones de estudios cinematográficos: cero.
En 3 horas, 142 millones de reproducciones. En la sección de comentarios, la mitad discute la precisión histórica de los 300 espartanos, y la otra mitad pide a gritos una serie completa de documentales.
Por qué tu cerebro cree en esta magia visual:
1. Sincronización dinámica de labios y física facial: la presentadora sigue a los soldados espartanos en marcha, el audio se alinea perfectamente, el sudor tiene una textura realista, y las microexpresiones son naturales.
2. Consistencia cinematográfica multiagente: el reflejo de las armaduras de bronce, las partículas de polvo en movimiento, los pasos sincronizados al aterrizar, todo renderizado con física continua.
3. Lógica espacial de cámara: la estética de vlog en mano se conecta sin problemas con la profundidad de campo de nivel Hollywood, y la refracción de la luz al aire libre es realista.
La pila tecnológica de IA de próxima generación impulsada dinámicamente en el fondo:
-> Claude 3.7 Sonnet: responsable del guion de diálogos históricos, vectores de cámara espaciales, ritmo narrativo
-> Veo 3.1: renderizado de luces y sombras cinematográficas hiperrealistas, entornos montañosos, polvo volumétrico
-> Kling 3.0 Omni: generación de acciones de marcha multi-personaje, física de escudos, sincronización de labios
-> Seedance 2.5: fijación de identidad facial, consistencia en detalles de armaduras, precisión en vestimenta histórica
-> ElevenLabs Spatial: sonido 3D binaural de colisiones de escudos, pasos de marcha, reverberación de audio
-> CapCut Pro: adición de ruido original de teléfono, velocidad dinámica variable, colorización histórica
Hollywood gasta cientos de millones de dólares, lleva a un equipo de 200 personas y equipo fotográfico pesado a volar a Grecia.
Esta creadora renderizó un documental completo de guerra antigua antes de que su café de la mañana se enfriara.
🤘👇👇👇
hands down the best ost of the year wtf the lyrics the melody the sheer poetry of it all… everything is so breathtakingly beautiful and devastating, nothing but PEAK
🚨BREAKING: Islamic Labour Party of Ireland launches
A new party dedicated to the Islamic takeover of Ireland has been launched and promises turn the country into a Sharia state of the Caliphate
No this is not a joke
They have a constitution written in Arabic and are targeting their "Muslim brothers and sisters" to unite behind them
God help Ireland
4-year-old boy who repeatedly begged his father for food later passed away from starvation, with heartbreaking footage presented in court.
More than 30 videos of Benjamin Cervera were shown during his father’s trial, including footage of him pleading, “Dad, dad, can I have bread?” He was also heard asking for water and milk.
Other videos from early 2021 showed Benjamin searching kitchen cabinets and the refrigerator for food during the night, grabbing fruit snacks, Jell-O, cookies, and milk.
Prosecutors say his father, 31-year-old Brandon Cervera, eventually locked the cabinets to stop him from accessing food.
In text messages with his ex-wife, Brandon allegedly told her that Benjamin didn’t need dinner and suggested she give him bread after she said the boy had been begging for food all day.
Ce que je vois de mes yeux aux Canaries est FOU. Un espagnol vient carrément de nous parler d’invasion.
On a des centaines d’hommes (quasi exclusivement) venus du Sénégal, de Gambie, de Mauritanie etc. qui débarquent sur les îles de l’archipel espagnol. La Croix Rouge les prend en charge.
Ils sont transférés dans des camps un peu partout à Tenerife et pourront demain être envoyés sur le territoire métropolitain espagnol, à Malaga par exemple. Vous connaissez la suite.
On est le seul média sur place avec les migrants, c’est ça @frontieresmedia.
Pour nous soutenir sur le terrain quand c’est comme ça, abonnez-vous, relayez nous, faites monter le sujet et faites un don
sur https://t.co/GVUuBE5PZg
If you're African and you enter the Canary Islands illegally, you don't get punished.
You don't get deported or jailed or sent back. You get flown to the Spanish mainland.
A free flight, paid for by Spanish taxpayers, to Madrid, Barcelona or Valencia.
A man crosses the border illegally, lands in the Canary Islands, and his reward is a plane ticket deeper into Europe.
The message to the whole of Africa is: just make it to the beach. Touch the sand and we'll handle the rest. We'll fly you in, house you and feed you.
Then they act shocked when the boats keep coming, when thousands drown, when the islands can't cope.
They've built a system where breaking the law pays better than following it. The man who applies for a visa, waits years and does everything properly gets rejected. The man who pays a smuggler, jumps in a boat and breaks the law gets a free flight to mainland Spain.
That isn't compassion, it's madness. It's a government that has given up on its own borders and its own people.
Spain is wrecking itself by taking in people it has no plan for. No punishment, no consequences, just a free flight. And they wonder why Europe is falling apart.
Eu vi esse primeiro capítulo, achei muito dahora que a queda do lúcifer causou a extinção dos dinossauros, foi uma jogada muito legal porque todo mundo fala sobre os dinossauros na arca de Noé.
Rebecca was sold into sexual slavery before she could walk. Her father - a Lockheed Martin contractor with CIA connections - gave her to a man she calls "Mr. E" as a newborn baby. Mr. E ran a child pornography ring, and Rebecca became his product. From birth to age seven, she was drugged with ketamine, flown across the country, and passed between groups of men who filmed themselves doing things to her that would make a courtroom go silent.
Her mother wasn't a victim in this. Her mother was part of it. She beat Rebecca unconscious and sexually abused her herself. The woman who gave birth to her helped deliver her into hell.
In the interview, Rebecca says it out loud, and the room stops breathing. They violated her with objects. They shoved a loaded gun in her mouth. They forced a loaded gun inside her body. She was three. They filmed everything.
But that's not the detail that breaks her. She watched children die. During these filmed sessions, other kids were murdered in front of her. Their deaths were turned into content - sexualized, recorded, distributed. And after, the men would look down at her and say: if you ever tell anyone what happened here, you're next.
They choked her until she passed out. They suffocated her until her body stopped fighting. They dragged her to the edge of death again and again because watching a child almost die was entertainment to them. She says she learned what dying felt like before she learned how to read.
At seven, they threw her away. She wasn't rescued. No one came for her. She simply got too old for their taste. Seven years old and already used up.
She's 53 now. Fifty years later, and not one person from that network has been investigated. She looks into the camera and asks the only question that matters - how did every single one of them walk free?
This woman spent half a century carrying the memory of children being killed in front of her. She was drugged, filmed, violated with weapons, and discarded before she understood what a childhood was supposed to look like. And the people who did it? They're still out there. Living normal lives. Untouched.