@ajpaniagua Una 💩y es aún peor para los deejays (músico que hace mezclas de canciones de otros), de hecho, des de tu vídeo explicando lo Universal en TikTok, me han silenciado varios vídeos en instagram (no soy muy activo en tiktok). Ánimos 😂😂
¡El sábado el maestro de los mashups aka @DJSurda vuelve a nuestro escenario para liarla junto a @djake_dj y #OchoymedioDjs! 🧪💥🎶
¡Entradas anticipadas ya disponibles! Consigue ahora la tuya a precio reducido y con acceso preferente: https://t.co/BInBmBjz2L
Using increasingly-improved software, creators illegally produce clever combinations that still often puts smiles on our faces. That “obsession” with mashup culture has never abated. And at this point, it probably never will. Here’s to another 20 years of mashup culture!
Fifteen months later, she founded Bootie Mashup, the first party in the U.S. dedicated to the mashup artform, and 20 years later, that obsession (and the parties) are still going strong, as we continually discover new mashups, crafted by a new generation of inventive producers.
An entry from Adriana’s journal that week describes DJing these bootleg “mash-ups” for the first time at a bar gig in San Francisco, and she calls them “my latest obsession.”
But to this day, she still can’t remember which one was the first mashup she ever heard. It was either @roykerrmusic Freelance Hellraiser “A Stroke of Genius” or “Smells Like Booty” by @2ManyDJs (incorrectly credited on the back of the CD).
So she immediately ordered it online and anxiously awaited its arrival from overseas. When it finally showed up in her mailbox, she distinctly remembers skipping right to one of those two particular mashups.
The promise of hearing @xtina singing with @thestrokes or @destinyschild mashed up with @Nirvana was just too enticing. Based solely on this glowing review, she immediately sought it out. At the time, it was only available via import through @RoughTrade in the UK.