No Rate Cuts in US this month.
Global Markets are already down in last 2-3 days.
Nifty already in downtrend.
US markets looks more attractive right now considering the upcoming golden 4 years in Trump and Musk Era.
22500 levels are coming.
@PurohitSanjeet@elonmusk#Nifty#Trump
After 2 years of using this. Watching countless hours of cricket matches, movies, TV series on this. Zero malfunction. Super clear. 100 inches of display. The XGIMI horizon pro. Probably the best electronic purchase I ever made. Guess the movie :)
Ranveer Singh said in the movie Gully Boy, "Apna Time Aayega", Ranveer bhai ka time toh zaroor Aagaya
Ranveer Singh, in his entire 15-year movie career, earned approx ₹1,650 crore. That's what his entire career — Ram-Leela, Bajirao, Padmaavat, Gully Boy, Simmba — added up to at the domestic box office.
On the other hand, just the Dhurandhar franchise has earned ₹3000 crore and is still counting. Not even 1 month since Part 2 was released!
2 films. One franchise. More than everything that came before it, combined.
This is what compounding looks like in real time. Those "underperforming" years of 83, Cirkus, Befikre? They weren't failures. They were a man quietly building range, resilience, and the ability to carry a 214-minute spy thriller on his shoulders.
The market doesn't always reward talent on your timeline. Sometimes it rewards patience.
Stay the course. APNA TIME AAYEGA!
Best brands for your electronics
1. television - LG
2. washing machine - samsung
3. microwave - panasonic
3. air conditioner - daikin
5. pressing iron - philips
6. gaming console - sony
7. refrigerator - LG
8. laptop - apple
9. smartphone - samsung
10. tablet - apple
11. anc headphones - sony
12. bluetooth speaker - JBL
13. smartwatch - apple
14. camera (mirrorless) - sony
15. ceiling fan - ox
16. diesel generator - cummins
You might need this list
🎬 Top 50 Greatest TV Shows (Series) of All Time 🍿😱‼️‼️‼️
50. Banshee (2013–2016)
49. Slow Horses (2022–)
48. Gullak (2019–)
47. Death Note (2006–2007)
46. Rick and Morty (2013–)
45. The Bear (2022–)
44. The Shield (2002–2008)
43. South Park (1997–)
42. Lost (2004–2010)
41. The X-Files (1993–2018)
40. Scam 1992 (2020)
39. BoJack Horseman (2014–2020)
38. Dexter (2006–2013)
37. Curb Your Enthusiasm (2000–)
36. Money Heist (2017–2021)
35. Narcos (2015–2017)
34. Black Mirror (2011–)
33. Stranger Things (2016–)
32. Mr. Robot (2015–2019)
31. Hannibal (2013–2015)
30. Fargo (2014–)
29. Peaky Blinders (2013–2022)
28. Attack on Titan (2013–2023)
27. M*A*S*H (1972–1983)
26. The Simpsons (1989–)
25. Seinfeld (1989–1998)
24. The Twilight Zone (1959–1964)
23. Game of Thrones (2011–2019)
22. Fullmetal Alchemist: Brotherhood (2009)
21. Avatar: The Last Airbender (2005–2008)
20. Severance (2022–)
19. Shōgun (2024–)
18. True Detective (S1) (2014)
17. The Leftovers (2014–2017)
16. Deadwood (2004–2006)
15. Six Feet Under (2001–2005)
14. The West Wing (1999–2006)
13. Succession (2018–2023)
12. Sherlock (2010–2017)
11. Dark (2017–2020)
10. The Americans (2013–2018)
9. The Office (2001–2003)
8. Twin Peaks (1990–1991)
7. Chernobyl (2019)
6. Better Call Saul (2015–2022)
5. Band of Brothers (2001)
4. Mad Men (2007–2015)
3. The Wire (2002–2008)
2. The Sopranos (1999–2007)
1. Breaking Bad (2008–2013)
Here are some unique lessons that all the so called film makers can learn from Dhurandhar
1.Unlike the other so called pan india big films , the film doesn’t even try to elevate the hero and give him the so called elevation moments to make the audience forcefully worship him with the use of slow motion and ear splitting background music . It actually lets his flaws and the related consequences coexist, thus making the audience tense instead of giving a clap trap applause.. it is incredible that @RanveerOfficial the star steps back to allow #akshayekhanna to fill the frame because that is the requirement of the story and is a testament to Ranveer’s understanding of cinema
2.Unlike how most films explain, Dhurandhar withholds. Long stretches of silence explode what pages of exposition cannot do in other films
3. It treats violence not as spectacle but as a psychological blow .. @aejazgulab does a fantastic job as the action director who doesn’t care about giving clap trap moments but he integrates the characters and their current state of minds into every ounce of it’s violence .. Gulab’s action in the film is the finest I saw in Indian cinema and I frankly can’t think of even a Hollywood film to beat it from the top of my mind .. There’s a lot to learn from Aejaz Gulab especially for the South Indian pan India action directors because every blow of his leaves an emotional residue, both moral and physical, long after the scene and the film is over
https://t.co/c197cEtnPU abandons the three act safety net.. The narrative moves like real life , uneven, impulsive, sometimes abrupt , rejecting neat rises and cathartic payoffs.
https://t.co/CdB6yhdCVk trusts the audience’s intelligence unapologetically
No spoon feeding, no emotional underlining. Meaning is discovered, not delivered.
https://t.co/Vgy6xlim3p makes the sound design a lead actor even in its background noise, breathing, distant chaos, the whole sound becomes a psychology in the film , and not just accompaniment.
https://t.co/SxPicZtYIh refuses genre loyalty because it mixes a blend of political thriller, character study, visceral action film and moral tragedy among many others thus shapeshifting the cinematic horizon
8. For the first time I experienced background music becoming foreground music , that doesn’t tell you when to feel heroic, scared, or relieved. The constant unease yet peppered with a emotional rollercoaster is the real soundtrack of the film achieved by the unimaginably talented @shaswatalogy
9. Dhurandhar treats cinema as confrontation and not consumption because it doesn’t want to just entertain you for three and half hours , but it’s real intention is to stay with you long after the film is over and maybe forever
Hey @AdityaDharFilms , A big thank you for making Indian cinema finally grow up and for giving all us film makers past , present and future too, to once again take baby steps holding your hand
DHURANDAR’s success is not being just another BLOCKBUSTER , it is a WARNING to the film industry to GROW UP
My babe drashti started her career from music videos only humko aaj kal ha,then saaiya dil mein anna re and nacha soniye tu sone dildar nal ,many more and then she entered the itv.Her songs were loved by audience ❤️.