DeviantPigg

A creative swine

[DeviantPigg @DefectivePigg]

The Gloaming Era is a collection of cosmic and surreal horror stories set in America’s Gilded Age (1870–1902), a period of rapid change reshaping perception and reality.

Paperback $11, ebook $8.

If you read it, an honest Amazon review would mean a lot. Thank you!

https://t.co/0JikdoQE2F

[DeviantPigg @DefectivePigg]

Follow me, friends :)

[DeviantPigg @DefectivePigg]

Bed time friends, love you :)

[DeviantPigg @DefectivePigg]

She makes videos to try to get violent criminals less jail time. Fuck her.

[Grace⁷ @S0ULMATES_95]

just randomly came across this video on instagram where this woman is calling lance oppenheim a thief oh my god????!

[President-Elect Toguro @PresidentToguro]

Watching someone burn to death on stream and typing “nooooo" in the chat

[DeviantPigg @DefectivePigg]

Bed time friends, love you :)

[DeviantPigg @DefectivePigg]

Never saw the show but man, production needed to spend like five minutes on gore sites. You do NOT just sit down after being shot in the head.

[Dee division!! @OKIMSINISTER]

THEY GOT BATCAVE BIZ

[DeviantPigg @DefectivePigg]

A series following a fictionalized version of the IP2 streamers would be fun. Like an even more fucked up version of Skins.

[Ozzy Cobb @OzzyCobbYT]

OnlyUseMeBlade’s body starts rejecting alcohol

[DeviantPigg @DefectivePigg]

My biggest problem with the movie is it’s clearly preying on dumb people because why would you ever let someone ideologically opposed to you interview you????

Also, nothing really interesting happens. There’s no big mystery, action, horror, nothing. Just talk about fraud.

[Sarah Meyohas @SarahMeyohas]

I loved “You Can See Everything.” But it left a sour taste: why would it be unethical for Holmes and Evans to get paid??

This is not a straight documentary. Fielder is shaping a performance amongst the 3 of them. So the conventional journalistic prohibition on paying sources doesn’t clearly apply. Framing A24’s financial interest as the neutral business of making a movie, while Evans’s as a moral failing feels flawed. 

And then the part that gets sour is turning that negotiation into material. Which is quintessential Nathan Fielder, but AGAIN makes any appeal to conventional documentary ethics even less convincing.