Spoke to Duane Denison and David Yow of the almighty Jesus Lizard for @guardianmusic.
Discussion points included musics past and present, acting, good accountancy and physical injury.
https://t.co/24LCfTG7c5
Dedicated to cult film, BBC2's Moviedrome felt like you were being initiated into a weird secret society.
With a new @BFI season dedicated to the show in the offing, I dug into the show's history with two of the people who brought it to life.
https://t.co/sudGG91mCD
Reviewed Earth Ball's Actual Earth Music Vol. 1 & 2 album over at @theQuietus.
It's a joyous, intimidating, brain-melting release that blurs together psych, noise and free jazz.
https://t.co/tbnOSxKZJL
“We loved the idea that our score tested the edge between sound and music. That boundary was a wonderful place to hang out.”
Read the new interview with The Texas Chain Saw Massacre co-composer Wayne Bell via The Guardian.
https://t.co/FvNQLieYxa
Spoke to Wayne Bell about his score and sound design work for The Texas Chain Saw Massacre.
The soundtrack plays a huge part in the film’s raw and unsettling power, and it’s practically impossible to imagine what the film would be like without it.
https://t.co/LkMAvDAlWx
Chatted to Ice-T (aka @FINALLEVEL) about Lemmy, Law & Order, David Gilmour, facing down controversy and working with Abel Ferrara for @guardianmusic.
https://t.co/UKJ9ncLLRi
My partner lost his job today. We knew it was coming, but it’s still going to be tough.
I need to hustle extra hard until he finds a new job. If you’re an editor and have ever wanted to commission me to write something, now is a GREAT time to get in touch! kimkellywrites@gmail