20 years later, The Incredibles still stands as a ground breaking achievement in sound design being the only animated film to win an Academy Award for Achievement in Sound. From creating unique effects for superpowers to blending sound, Skywalker Sound’s Randy Thom reflects on the artistry behind the Oscar-winning sound. Explore the challenges, creative breakthroughs, and why The Incredibles remains a landmark in both animation and sound in this exclusive article by Lucas O. Seastrom.
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Production Designer Rick Carter on using collage; “It's all just about the process of visualizing. It's not so much a recreation, but a meditation on how I'm feeling at that moment and then what does that lead to…”
Some of his early work for Back to the Future Part II (1989).
Fricke says, "I look at the theater as a temple. The audience sits in the dark with their senses alert and their defenses down. It is the perfect opportunity to bypass the viewers' personalities and address a life-affirming message to their inner beings."
Baraka (1992). Directed/Cinematography by Ron Fricke. Roger Ebert wrote, “If man sends another Voyager to the distant stars and it can carry only one film on board, that film might be Baraka."
“To me, it’s a giant love letter to Steven Spielberg and his earlier films. There are moments in this movie that remind me very much of Jaws. It’s like little greatest hits of all those aspects of his films that I loved growing up as a child.” - Gareth Edwards
Explore this behind-the-scenes look at #JurassicWorld: Rebirth, then tap the link below to read the whole story from @EntertainmentWeekly.
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From Xenomorphs and Facehuggers to spacecraft and enviroments, explore the concept art that the ILM art department brought to #AlienRomulus. Alien: Romulus is now streaming on @Hulu and with #HuluOnDisneyPlus.
See the full collection: https://t.co/aQMpelHAsu
ILM Art Department:
Aaron McBride
Amy Beth Christensen Smith
Alexander Jaeger
Fred Palacio
Igor Staritsin
Mathilde Marion