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To understand David’s shameless praise, you don’t have to look far into ancient history—you can just look at a viral video from Nigeria. Governor Ademola Adeleke, the "Dancing Governor" of Osun State, has become a modern-day parallel to the Psalmist king. Like David, Adeleke doesn't just attend worship; he becomes worship. When the drums break and the choir lifts its voice, the governor strips away the title, the protocol, and the political gravitas, transforming into just another joyful soul before his Maker.
Here is how the ancient King and the modern Governor dance to the same divine rhythm:
1. The Abandonment of Royal Dignity
David famously told Michal, “I will become even more undignified than this” (2 Samuel 6:22). He didn't care that he was the King of Israel; the Ark was coming home, and protocol be damned. Similarly, Governor Adeleke, despite being the number one citizen of Osun State, is often seen leaping across podiums, shaking his hips in agbada, and breaking into spontaneous dance mid-service. In a world where governors are expected to be stoic and unapproachable, Adeleke chooses joyful foolishness. For both men, the crown is laid at the altar; the title of "King" or "Governor" takes a backseat to the title of "Worshipper."
2. Dancing as a Language of the Heart
David didn't write theology books; he wrote Psalms—lyrical outbursts of a soul in love. His praise was kinetic; he danced with all his might. For Adeleke, dance is his primary dialect of gratitude. Whether it’s the Bata or the Gwara Gwara, his movements are not choreographed for cameras but are visceral reactions to God's goodness. Just as David sang about being pulled from the miry clay, Adeleke’s dance often feels like a man celebrating a divine rescue—a reminder that despite political battles, he is still standing. Their praise says, "My feet move because my heart is overwhelmed."
3. Shamelessness in the Face of Critics
Michal despised David's display, calling it vulgar. David didn't slow down. In the same vein, Governor Adeleke has faced his share of critics—political opponents who mock his dancing as unserious or "ungovernor-like." Yet, he refuses to apologize. He dances at funerals, at dedications, and at conventions, often telling his critics, “Omo iya mi, this is how I praise God.” Like David, he understands that human approval is a poor substitute for divine acceptance. The scorn of the palace window means nothing when the heart is fixated on the altar.
4. Praise as a Testimony of Survival
David’s praise was born in the caves of Adullam and the wilderness of Ziph—places of betrayal and fear. His songs were victory anthems over death and despair. Governor Adeleke’s praise carries a similar weight. He has lost siblings, faced grueling legal battles, and navigated the shark-infested waters of Nigerian politics. His shameless dancing is not frivolity; it is a defiant declaration: “God has brought me this far.” Like David, he uses praise not just as a ritual, but as a weapon and a witness that joy outlasts tribulation.
5. The Unifying Power of Their Joy
David’s praise unified a nation; as he danced, all of Israel rejoiced with him. Governor Adeleke’s energetic worship transcends political divides—you cannot watch him dance without smiling, whether you voted for him or not. It reminds the Church that worship is contagious. When a leader praises without shame, it gives permission to the congregation to break free from their own chains of self-consciousness.
Anytime you see any kwankwasiyas red cap videos; you don't need to understand Hausa language to agree with them; just keep reposting all their contents; they are passing so much message to crash the decades-long misinformation against the Igbos....
OK ticket is indeed OK.
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NDC Service!!!! Surgeon in the day, Honorable at Night.
Please remember me in your prayers. Happy Sunday to u all
Let me dance my victory dance ooo
No be so