Dialect Coach for Film, TV, and Live Performance, TED Talk Coach, Media Coach for Athletes. I want to help you rise to the top, be the best, and inspire!
Before a single sound is made, the accent needs a person to attach to.
Not the character breakdown. The human being. What was the view from the bedroom window? What did the kitchen sound like at dinner?
Skip the identity work and you end up with something that sounds learned.
The actor starting from zero copies the impression.
The actor with Universal Accent Skills maps the differences. Where is the tongue? How does the jaw sit?
Same model. Completely different process.
https://t.co/DI1mqAaQBc
Two years on a single voice. Leonard Cohen limited series. Six months before we touched the script. Nightly sessions across four countries.
The ceiling is almost never talent. It is the calendar.
https://t.co/POGKkX2iYN
Northern English accents are not interchangeable. An actor who conflates them is doing not-southern, not Yorkshire.
Key: the FOOT-STRUT merger. Bus, cup, love, sun all merge upward. It has to be consistent or it breaks.
https://t.co/RM2n8FIUUz
There are far more Black speakers of Afrikaans than White speakers. That surprises most people, and it matters for every actor building this accent.
Physical key: front-dorsum arching. Pulls vowels forward.
https://t.co/FFl89tiZ31
Twang is physics, not a performance choice. The arched back dorsum + spread lip corners create an environment where vowels glide naturally.
Set the posture. Don't manufacture the music.
https://t.co/0nFCgf1xyf