Sharing content about digital access to arts, and communicating activities carried out by the AHRC COVID-19 project led by @richardmisek and @culture_stats
Congratulations @TankMuseum for being the first ever museum to reach 100 million views on YouTube! Here's a link to a case study we published last year on their digital activities, including tips from YT maestro @NikWyness. https://t.co/ZJKEW0pH1J
Very exited that my short doc 'A History Of The World According To Getty Images' has been shortlisted in the 2023 @FOCALint awards. Looking forward to some interesting conversations at the ceremony in June. You can see the film here: https://t.co/cgsmteWLm6
My film A History Of The World According To Getty Images is now available online, with a @creativecommons public domain license. You can stream and download it and do anything you like with it via https://t.co/8ikv0OgiP7
This blog post by @fromthehip via @immersenow has a number of super interesting links on the latest in accessibility and immersive tech https://t.co/kLkGedYcTi
Very excited to have the chance to develop the work of the Digital Access AHRC project by contributing to this new Digital Access Research Project @metalabharvard It'll be esp interesting to explore digital access from a wider international perspective. https://t.co/0EEsASHSOP
Just read the ‘Art Power 100’ list of the most powerful people in the art world @ArtReview_. Perhaps the 30 anonymous art insiders who made the list should also be on it. Those who stay in the shadows, deciding who has power, often have even more power. https://t.co/96nyp825tE
PS - I LOVE this image by @metaverserick. Screen grab taken from my students' mini VR doc filmed in Uncanny Alley, which currently features in @Raindance immersive curated by @MariaRaindance and @Joeahunting
Looking forward to today’s conference on VR storytelling @Bergenfilmfest produced with @xolabs. I’ll be chairing a panel on accessibility with Ian Williams from Birmingham City Univ, and award-winning theatre director Sacha Wares. @infomedia_uib https://t.co/REftaAqTJt
Virtual reality film-making class with @Joeahunting, day 1: how to use a virtual camera in VR. Below: a walk-through of how to turn the camera into a drone. It's just mind-blowing: every camera move you could dream of is available.
Social VR offered many people a way through the pandemic - @WeMetinVRfilm (now on HBO Max) is a remarkable document of the power and potential of VR-based community. Highly recommended!
Very excited to be hosting @Joeahunting, director of the groundbreaking VR doc 'We Met In Virtual Reality' for a workshop with my students over the next two weeks. Can't wait for us all to put on our headsets and go exploring (and filming!) in VR with him. Welcome, Joe!
If you're interested in digital theatre and where it's going, ‘A Manifesto For The Future Stage’ written by a research group @metalabharvard is an inspiring read. It says everything our project has been trying to say for the last two years, but better! https://t.co/dOClPjk01q
Great to have received so much support since our report came out 2 weeks ago, and to hear how many theatres remain enthusiastic about digital. Especially delighted to hear from @NationalTheatre that they are still committed to NT@Home, and to using online as an accessibiity tool.
@STWevents@ReassembledSA@pollyrowena@DeafFirefly@DigiAccessArts just launched a report on Digital Access to Arts & Culture. We were proud to be part of this & advocate for the continued digitalisation of art. Read the report here, https://t.co/C7qFMCVgCo & listen to a BBC Front Row interview here https://t.co/9FsypO33ar.