Digvijay Nikam

Currently Ph.D student, Centre for English Studies, Jawaharlal Nehru University, New Delhi
Visiting Doctoral Fellow @FU_Berlin

[Digvijay Nikam @DigvijayNikam3]

"The map is not the territory and the territory is not the territory" https://t.co/Dj3eJwGY4r

[Scroll.in @scroll_in]

"You see you are associated less with a country and more with places. Country is too abstract a thing. You associate not even with a place but with a mohalla…you have nothing to with the rest of the world," Arvind Krishna Mehrotra says on a sense of belonging. https://t.co/KtLz49uj0f

By Digvijay Nikam

[Digvijay Nikam @DigvijayNikam3]

@opinion_tt @leo_mukherjee @srimoyeebagchi Hello Srimoyee. Sorry for writing here. How do I reach out to you for a book review pitch for Telegraph?

[Urvish Kothari ~ उर्वीश कोठारी @urvish2020]

An insightful review of a Gujarati biography of celebrated painter Bhupen Khakhar.
My brother Biren Kothari took almost a decade to write it & it was worth it.
Thanks Digvijay Nikam for the writing this.
@tajmahalfoxtrot @scroll_in
https://t.co/nvl1tvG684

[Digvijay Nikam @DigvijayNikam3]

I write about Biren Kothari's book on Bhupen Khakhar in this review.

[Scroll.in @scroll_in]

To conclude with the words of Amrishbhai: “This book will appeal not just to the connoisseurs of visual art but to everyone who is interested in the human self.”

https://t.co/aBtNCcyy9k

Digvijay Nikam ✍️

[Digvijay Nikam @DigvijayNikam3]

@somakghoshal Hello Somak,
Sorry for writing here but how do I reach out to you for a book review pitch?

[Amit Chaudhuri @AmitChaudhuri]

This review essay of Jon Fosse’s new novel contains my thoughts on autofiction, the essay, and impersonality, and the way these are part of a counter-movement that’s also vulnerable to appropriation: https://t.co/85n7q7M8IO
You have to register (for free) to read it.

[The Wire @thewire_in]

An Account of 19th-Century Western India in Narmadashankar Dave's Autobiography

Digvijay Nikam✍️
https://t.co/0pIK26tFl8

[Digvijay Nikam @DigvijayNikam3]

@hobbb Just wrote back to you. Very sorry for the delay, Andrew

[Digvijay Nikam @DigvijayNikam3]

@vineetgill Thank you! You'll receive a mail very soon.

[Digvijay Nikam @DigvijayNikam3]

Cauldrons and flesh-hooks: between the living and the dead in ancient Britain and Ireland https://t.co/g7L6Zh9Lgp via @britishmuseum

[Amit Chaudhuri @AmitChaudhuri]

I’m offering a new course to students @AshokaUniv next term that will also be available, via @TORCHOxford to students and faculty at Oxford to participate in. Students at other universities - anyone, for that matter - can register.

Details here: https://t.co/q3ER5vqP7a

[Digvijay Nikam @DigvijayNikam3]

Behind the Many Interpretations of The Temptation of St Anthony https://t.co/HXVuiHGdgw

[Digvijay Nikam @DigvijayNikam3]

Is there such a thing as Indian Science Fiction? This book tries to identify some common elements https://t.co/gDTxhLL3p8 via @scroll_in

[Anantha Padmanabhan @jilpanz]

New Books ~ The long awaited memoir of Girish Karnad. This Life At Play. Publishing this May.

[Digvijay Nikam @DigvijayNikam3]

https://t.co/uND8kam4tW
@AmitChaudhuri

[Digvijay Nikam @DigvijayNikam3]

"Bhavai is a popular folk theatre form in Gujarat with a 700-year old history."
Sahapedia https://t.co/mu6Yesxwm0

[Digvijay Nikam @DigvijayNikam3]

"An individual beggar or tramp walking along dusty village roads is seldom part of recorded history nor is it news, except when the tramp is also a poet and records the moment in a line of verse"
@litactivism
https://t.co/kVhkvzYwEB

[Digvijay Nikam @DigvijayNikam3]

https://t.co/z1tDha7v1j via @nplusonemag
"To be an Indian writer means that you’re writing about India. What you’re doing to and with the form won’t determine the terms of critique where you’re concerned."
@AmitChaudhuri

[Digvijay Nikam @DigvijayNikam3]

Exquisite postcards depict 1930s India in Japanese woodblock style https://t.co/L50846iKKR via @scroll_in