My essay, “Refoliating Vietnam in the Post-9/11 American Homeland: Debra Granik’s LEAVE NO TRACE,” Discourse @DiscourseJourn1 45.1-2, is now available online.
Discourse 誌から映画『足跡はかき消して』論が出版されました。bioのHPから全文アクセスできます。
https://t.co/EyXqFoS69a
My essay, “Refoliating Vietnam in the Post-9/11 American Homeland: Debra Granik’s LEAVE NO TRACE,” Discourse @DiscourseJourn1 45.1-2, is now available online.
Discourse 誌から映画『足跡はかき消して』論が出版されました。bioのHPから全文アクセスできます。
https://t.co/EyXqFoS69a
Just published in the latest issue of @discourseJourn1 , my article “Sex, or the Illegible: AIDS Video Art and the Erotics of Abstraction.” Check it out for some reflections on activist video cultures, “graphic sex,” Bersani, and Bowers v. Hardwick: https://t.co/esY0a56JWi
We're excited to invite you to Crossing the Finish Line of the year, happening on April 21st at 4PM on Zoom! 🎓🎓🎓 Register here: https://t.co/oL2VUMqSZb
Summer 2023's CIN360H1F - Personal Cinema seeks critical inquiries into both the historical and contemporary “gaze on life” while the exploration of self-representation and the “day-to-day” are transformed into screen-based allure and fascination.
https://t.co/4s8zqIOW1K
Looking for me? For the latest issues try Project Muse (https://t.co/fUxjbUCCP7)! We are also available on JSTOR but new policies there have a 3 year moving wall on recent availability.
@jamesleocahill @csi@CSI, how do so many amazing scholars fit into one building? A great time to reread @DiscourseJourn1 31.3: Translation and Embodiment in National and Transnational Asian Film and Media.