@DerlisAGonzalez Didn't a number of the early reviews mention the score positively? Even glowingly? I don't expect much detail ... or even accuracy when it comes to film reviewers digging in to musical content. But they can, in best circumstances anyway, assess its effectiveness.
#DisclosureDay is the weirdest movie Spielberg’s ever made (complimentary). Breathtaking compositions, David Koepp’s X-FILES-meets-The Bible script is one big high-wire act, Emily Blunt’s most accomplished performance, John Williams’ best score in years. Riveting, moving stuff.
Obscure piece of Star Wars history I've just learned, there was a Jazz Album in 1980 that changed several movie tracks into jazz songs
Also this Album cover with Vader in the audience is awesome
Uninformed prediction: Göransson’s Star Wars score will please film fans, but won’t much land with the music crowd. HIs Odyssey score will be the other way around.
I reserve the right to claim I never said this if I’m proven wrong.
James Newton Howard reteams with M. Night Shyamalan on romantic thriller 'Remain' starring Jake Gyllenhaal & Phoebe Dynevor. https://t.co/yjPlr24jfG
Christopher Nolan instructed Ludwig Göransson not to use an orchestra for ‘THE ODYSSEY’ score.
“It’s not like the orchestra existed back then. It was a challenge and also an opening to try to make something unique,” says Göransson.
(Source: https://t.co/k6cv4jM68W)
@DaveBuzan@TLwr24601 I’m not sure anyone could ever provide a comprehensive list of must-hear Goldsmith scores, but Alien, Star Trek TMP, Papillon, Secret of NIMH, Planet of the Apes, Gremlins, Islands in the Stream, and Poltergeist certainly constitute a good start!
While "Alien Day" (chosen to be annually recognized on 4/26 in reference to the LV-426 planet from "Aliens") focuses on the cinematic series as a whole, for me it's a celebration of the magnificent scores that Jerry Goldsmith, James Horner, and Elliott Goldenthal contributed for the first three films.
In particular, what Jerry Goldsmith created for the 1979 original remains a groundbreaking and stunningly innovative work of art. It's one of the greatest scores ever written.
@tgreiving My favorite part of this was that he needed you to know that S. would suffice. Like there was a specific level of pedantry that would clarify which Rachmaninoff you meant, but without belaboring the point.