Ever wonder what the Barnett Hall organ sounds like?👀Here is Ethnomusicology student Oscar Smith performing Fugue sur le Thème du Carillon des Heures de la Cathédrale de Soissons (1962) by Maurice Duruflé on the @UBC organ!!
https://t.co/nGNDd4SQFe
@UBCArtsCulture@ChanCentre
@MatthewHindson "If we are to accept value as a criterion for selecting what we study, then such choices will always be contested on some basis of identity"
@MatthewHindson Here's some thoughts from a recent SEM Conference on decolonising Tonal Analysis:
"I think it would be a mistake to swap out European music for some other system or systems, replacing one naked emperor with another." ~Michael Tenzer
@MatthewHindson More: "The hardest part of the task is to decouple tonality and value. Ideally musical analysis needn’t reflect value, it can just be about demonstrating insight into structure, yet paradoxically we can barely imagine analyzing any music that doesn't strike us as valuable.