What, I hear you cry, are these? From Egypt, 3000+ years ago, these ivory “clappers”, in the form of human hands (with bracelets), were percussion instruments used to shake & rattle against each other, to keep rhythm in musical performances
https://t.co/6GSdZCBfgt
This remarkable floor mosaic of an octopus fighting a lobster, surrounded by a spectacular variety of sea creatures, was found during the excavation of the House of the Dancing Faun, ancient Pompeii’s richest residence (1st century, National Archaeological Museum, Naples)
1/ @JubbishJay creates imagery too sublime to be real. Frozen mountains. Ancient rock formations. Figures lost in the land.
This Escher Editorial celebrates the pristine beauty of Jubbish Jay’s adventure photography, revealing roots in Romanticism, Pictorialism & Impressionism.
Without Mauve, Rubens, Hiroshige, Gauguin, Monticelli, and so many others whose art he learned from, nor without the support of Père Tanguy or Agostina Segatori, nor the devotion of Theo and the efforts of Jo, would the van Gogh now so beloved around the world have ever existed.
4,000 year old pectoral with necklace, from tomb of Egyptian Princess Sithathoryunet ~ cloisonné enamel with gold & 372 fashioned pieces of lapis lazuli, turquoise, garnets & other semiprecious stones, flanked by falcons, as symbols of the sun god https://t.co/ItFt7BAa90
@qianjinghua Holy moley that’s a good deal. My glasses are $1000+ and not because I choose fancy frames… because I need all kinds of boring things expensive things for my broken eyes 🫠
“Death blowing bubbles,” one of the several depictions of death created by Johann Georg Leinberger between 1729 and 1731 for the ceiling of the Holy Grave Chapel in Michaelsberg Abbey in Bamberg, Germany.
The bubbles are symbols of the fragility of life 🫧
Lemonade is weekly art criticism for the Sunshine state.
4 months after launching we've written 17 review for 730 Instagram followers and 180 subscribed readers! If you love art and art writing, join them here: https://t.co/gfCzPwN8mH
Exhibition reviews satisfy one of two possibilities: to think through an exhibition more deeply or see something new. For Lemonade’s opening review, I chose the latter... The Apple and the Knife surveys four decades of practice by Canadian-born, Somerset local, Merton Chambers.