Happy to share the trailer for this doc about my parents and our family.
STILLER &MEARA: NOTHING IS LOST
In theaters October 17 and on @AppleTV October 24
@bad_at_computer @CreativeReview https://t.co/OVIEu6PRZ9
I talked about it in an interview @FastCompany last week - I think this will answer your question 😊
The many layers of Extraweg.
I spoke with @CreativeReview about my work on Severance, storytelling through 3D, and the process behind my art.
Read it here:
https://t.co/MEjw5Teei3
#Extraweg#Severance
Hej Hej! 😊 I’m responsible for this! It’s a layered paint-over of the Season 1 intro, and I also used 3D goat heads as guides to paint over. About 80% of the work was done on an iPad with Procreate (if you’re curious, check out “oil painting on Procreate iPad” on Google - it’s not as complicated as it might seem).
I combined this with many layers in After Effects, exported to Houdini, re-imported, and refined further - today much easer too do 😮💨. It was almost 2 years ago I did this part.
The artifacts you noticed might be from Photoshop infill, which I used during cleanup? Everything was crafted intentionally, with care -this wasn’t a one-click solution 😉
I hope that clears it up! Feel free to message me directly on Instagram or here if you have more specific questions. 🙂
Cheers,
Oliver
The super talented genius artist @extraweg talks about the new opening titles.
#severance
‘Severance' Season 2 credit sequence, explained by the animator - Los Angeles Times https://t.co/BSxBGJYOv0
@kidgrit@BenStiller Hej take a look into my Instagram stories in the next month 😉 - I will share some cool making of material over the next month ( when I’m allowed too - at the moment we have too wait until the show is fully out 🎈✌️)