@BancoGalicia@mercuriomayo012 USTEDES LAMENTAN LO SUCEDIDO PERO NO SOLUCIONAN NADA. ES REALMENTE UNA VERGÜENZA QUE NO SE PUEDA OPERAR CON EL BANCO POR FALLOS PROPIOS DEL BANCO, DURANTE MÁS DE UNA SEMANA. DÓNDE ESTÁS HSBC??? YO TE QUERÍA.
@BancoGalicia@ferreirajuaan Hace 15 días que intento hacer correr la app desde "vengo de galicia+" y es imposible, ademas por muy buena voluntad de los operadores de atencion al cliente, ellos también son incapaces de resolver el problema. Situacion desesperante no poder operar con el Banco!!! UNA VERGÜENZA
A timelapse of solar arrays reflecting aurora and city lights as they align themselves for the impending sunrise.
The solar array light reflections were so mind blowing that I stayed up till 1AM to shoot a few more sunrises. Luckily we get sunrises every 90 minutes.
One of the techniques I have learned over the past few months to get great still photos is to setup lots of timelapses to find great lighting. With a timelapse the camera takes a RAW photo on a time interval that is typically every 0.5s and saves the image. Our camera has an option to automatically create a video from the sequence of images. We then watch the video afterwards to find what part of the of the orbit amongst thousands of individual images has the best lighting or subject matter to either go back later to the same part of an orbit and take a still image or pull the still image saved from the timelapse process.
Yesterday the moon was not up during the night portions of our orbits so I knew I had a shot at getting the Milky Way core and some aurora. The timelapse was setup in a module we call МИМ2. It has a great view of the service module solar arrays. There are were so many great still shots in the timelapse series but the ”dance” the solar arrays do reflecting aurora and city lights is so cool to see with a timelapse video. A still image does not fully capture it.
1.6s, 15mm, T1.8, ISO 6400, 2s intervals. Exposure and a few items adjusted on a few hundred individual frames simultaneously before making a 15fps timelapse.
In a new interview with Wes Hill, Archie Moore discusses transmuting historical trauma in his Golden Lion–winning pavilion at the Sixtieth Venice Biennale. https://t.co/dCZU08lfnt
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On April 14, 1561, the people of Nuremberg saw what seemed to have been an aerial battle between flying spheres, crosses, and cylinders, and the appearance of a black, very large, arrow-shaped object.
@fotofacade Hi Andy, do you have interiors of this magnificent church? Saw it for the first time eons ago in Rudofsky’s legendary “Architecture without Architects”, and always thought the delicate ornaments were timber, till today…somuch grateful for your photos!!! Regards from Buenos Aires