I am approaching my essay I wish to submit for publication as well as a book review long overdue, and I’m wondering, from an academic viewpoint, whether the voice we speak of is today, yesterday, or the future.
Sirens aren’t always the first warning.
Sometimes it’s a museum quietly shifting into emergency mode. Israel Museum collections relocated amid war with Iran | The Jerusalem Post https://t.co/jCsb3YGB8o
The Bayeux Tapestry stolen from France during the Nazi occupation in 1941 discovered in the archives during a routine inspection in Northern Germany and formally returned to the mayor of Bayeux
UNESCO Memory of the World register
Story of Norman conquest of 1066
#ArtnetNews: David Hockney slams plan to move Bayeux Tapestry to U.K. as ‘madness.’ The renowned medieval masterwork has already started its journey to the U.K. for its first British outing in nearly 1,000 years. Read more: https://t.co/ky2VOdhuwL
🔎 Appel au réseau!
Ce fanon militaire est traditionnellement attribué à Louis II de Monaco, mais le monogramme et la couronne ne semblent pas correspondre parfaitement aux usages connus de la Maison Grimaldi.
❓ Quelqu’un reconnaît-il ce chiffre royal ?
🔄 Merci pour vos retours, sources ou pistes !
Why should we care about #archaeology, #monuments, traditions, art, and architecture when survival itself is threatened? Read Morag M. Kersel's blog for @SAAorg's 'Advances in Archaeological Practice': ▶️ https://t.co/VZt9uEO3Sc
#culturalheritage#culturalproperty
Hi Folks! ARCA's Instagram account @art.crime.research was hacked, and we are not willing to pay bitcoin to get it back and Meta/Instagram's support is nonexistant or bot driven. 😔
could we ask each of our X followers to friend us on our new Instagram at @ArtCrimeResearch ❤️
HOTP!! I’m so excited! I received my pre-ordered book, The Parthenon Marbles Dispute by Alexander Herman, Vol I of The Art Law series.
Look forward to a time to snuggle up for a good read of an importance in the legality of a renown cultural heritage and its dispute.
UNESCO International Day against Illicit Trafficking in Cultural Property (14 Nov) - nowhere is safe as you can see from this headless Buddhist adorant found in the corridors of Angkor Wat #Cambodia, the world's largest religious monument. #combatlooting
It's that time of year again! Here are the prompts for #museum30 2023.
As always it is a mix of standard prompts and some new additions - will you be taking part this year?
https://t.co/CeJ6Gf1Wk5
Meet Nightshade, the new tool allowing artists to ‘poison’ AI models with corrupted training data
In the counterattack for artists against AI goes a bit further: it causes AI models to learn the wrong names of the objects and scenery they are looking at.
https://t.co/yNMmrq2UwG
“Museums should be telling these stories not just for the sake of transparency but because they are intrinsically important stories that tell us really deep and meaningful things about how we understand other peoples’ cultural belongings,” - Elizabeth Marlowe
What organization and what do we need to better protect cultural property during conflict?
This is not a new question, and current developments are helping to answer this issue!