"People started saying to us ‘Oh, so you're going to go for the Oscars with this, right?’ And we were like, ‘We just finished it two weeks ago. We don't really know.'" - Daniel Audritt and Kat Butterfield discuss Life Goes On https://t.co/XKSURhe4HR
"Much of the Whispers in The Woods is an absorbing, enchanting portrait of a man so in tune with the rhythms of the woods that he seems part of its ecosystem" - https://t.co/XdUGI6iaxp - out in the UK on Friday.
"The crypto industry doesn't want to talk about the guys that have lost money. They want to talk about the guys with Lamborghinis who are, I'm sure, making their crypto honestly" - Ben McKenzie talks Everyone Is Lying To You For Money https://t.co/xJQBoKnlZo
"I just like the idea of having something that makes you feel happy and is not about trauma" - Antonin Niclass on animated short Into The Forest https://t.co/VKjLBgbCiX
"We didn't want to look like everything else that we see. You know, people usually light night in blue, but we wanted to stay true to the colours of my country" - Will Niava on Oscar-qualifying short film Jazz Infernal https://t.co/If31WTYckC
"I think silence is a very powerful element in film, as it is in real life sometimes. It can speak louder than an actual dialogue" - Emir Kumova on Oscar-qualifying short film The Witness https://t.co/g3ZmdcvI87
"Driving into darkness was something I found compelling from the beginning" - we chat to Katharine Round about the taxi cab as a liminal space in her documentary Ghost Town https://t.co/5hC65eu1J3
"If you create a movie where two people don't have their basic memories, you can kind of do anything" - Scott Tinkham and Michael Woloson discuss Littermates https://t.co/ZAjMgN0huT
"The best things about people, in my opinion, are all the individual differences" - Dominic Curran on internet overexposure and A Little Learning Is A Dangerous Thing https://t.co/2eRfGqRfIX #Belfast
"There was no director quite like Ken Russell and his 1971 masterpiece The Devils is a dazzling, frenetic assault on the senses and sensibilities" https://t.co/Yap4DxfGV1
"With its collage-style animation, you feel as though you could almost reach out and touch the mountain landscapes and characters" of animated short Piccolo Piccolo https://t.co/MfrcOv0IZ3 #DokLeipzig#PÖFF30