My career path has been anything but a straight line. For a long time, I saw my love for music, my fascination with the human mind, and my passion for digital design as separate worlds. I've finally written the story of how they all came together.
On my updated About page, I’m pulling back the curtain with a new section: “Music, Mind, & Pixels: My Story”. It’s a look at the unexpected connections, the lessons learned, and how the rhythm of a melody and the logic of the mind became the foundation for everything I create with pixels.
I’d love for you to read it⬇️
This week at Supadark:
→ Published a full guide on writing a sonic branding brief
→ Added a reusable two-page brief skeleton
→ Mapped how audit → guidelines → brief connect
Next week:
→ A note on designing a sound logo
→ More template work
Shared it here ⬇️
The line I refuse to start a sonic project without: success criteria.
'Recognizable in under two seconds.' 'Distinct from three named competitors in a blind listen.'
Write the test before the work, so review points at the document, not the person.
I broke it down here ⬇️
Timing a sonic brief: after the diagnosis, before production.
Write it before the audit and you're guessing at the starting point — and the guess always flatters the brand.
Audit tells you where you are. Brief tells production where to go.
I broke it down here ⬇️
The single highest-leverage line in a sonic brief is three adjectives in order.
'Confident, warm, precise' is a different sound than 'warm, precise, confident.'
Ranking forces the strategy to be decided. Four attributes means it hasn't been.
I broke it down here ⬇️
When a client hands me a thin brief, I don't start producing.
I write the missing half and send it back: the brand line, three ranked attributes, a sound-direction table.
Producers who can write the brief charge more than producers who only fill it.
I broke it down here ⬇️
Shipped a full guide this week on running a sonic brand audit. Want to start in 10 min? List every sound your brand makes, play your top 3 back to back, ask if a competitor could use them unchanged. Uncomfortable? That's the audit working ⬇️
Two patterns show up in every sonic audit. Gaps: touchpoints that make no sound but should. Conflicts: sounds that fight each other — cheerful ad jingle, sterile product beep. Gaps are usually the cheapest wins. ⬇️
The fastest sonic audit test I know: could a competitor drop their logo onto your audio and lose nothing? If yes, that sound isn't yours. Generic uplifting corporate music fails this every time. ⬇️
Step 1 of a sonic brand audit: inventory every place your brand makes a sound. Product UI, ad beds, hold music, the founder's voice, that playlist nobody licensed. List it all before you judge any of it. ⬇️
I run a sonic brand audit first on every project — before a single guideline or sound logo. It's the diagnostic pass that tells me what I'm working with. Skip it and you design in the dark. New piece on how I do it ⬇️