FCFilm is dedicated to sharing cinema from across the Commonwealth, demonstrating cinema's change-making power and initiating dialogue on human rights issues.
“As a filmmaker I can entertain but I can also inform, and that’s what I’m trying to do with this. Sometimes it takes someone from the outside for you to realise that something’s not working.” — @SamMasud37#MyPureLand#FCFilm2018
“I was thinking of remaking Cop Land in Pakistan, and when researching police corruption I found this story and thought ‘Wow, this is even better’. But it’s hard to do justice to someone’s life in 90 minutes” — @SamMasud37#MyPureLand#FCFilm2018
“It’s not the singular role of the oppressed communities to address change. Allies need to stand up and support them too.” — Joe Wilson, @LeitisinWaiting#FCFilm2018
“The moment we decide to introduce our personal life, that’s where the barrier stands. Your freedom is totally taken away from you.” — @JoleenDeflir@LeitisinWaiting#FCFilm2018
“Perhaps hearing and seeing these stories in a profound way will move people to stand with them... towards positive action. We think film and storytelling are really great ways to bring people into these conversations.” — Joe Wilson, @LeitisinWaiting#FCFilm2018
“I told the story from a Maltese perspective, to question if we are treating the people in the sea how we would treat ourselves.” — Rebecca Cremona, @SimsharFilm#FCFilm2018
Audience Q: How much of the film was shot in open water?
Rebecca Cremona: “Too much! We shot the ‘rough’ scenes in tanks, but a lot was in open water. We used a more traditional boat because we wanted to focus on the theme of tradition.”
@SimsharFilm#FCFilm2018
Rebecca Cremona, director of SIMSHAR: “We had to think about what we wanted to show, and the story we wanted to tell. We wanted to show the tragedy of it, not the physicality of it.” #FCFilm2018
Now at the @britishmuseum: 'One Eighty', a film produced by @oculus and @CHRI_INT tells the story of Vijai Kumari who spent 20 years in prison, and the struggle of her son, Kanhaiya, who was born in prison, to get her released! #CHRIatCHOGM#CHOGM2018 https://t.co/OoxfC6SUMs
Regarding the lack of men, specifically in AUNTIE, but also many of the shorts featured this afternoon, Lisa Harewood says: “This wasn’t jarring for anyone in Barbados. Nobody from Caribbean communities notices this when they watch the film. It’s a very matriarchal society.”