FaKanza

Animator, video editor, voice actor and some other equally impressive fourth thing.

Video Editor for @OneyPlays and more

[FaKanza @FaKanza]

Here's a nice little compilation of the scenes I got to animate for episode 5 of #smilingfriends, Brother's Egg! Forever grateful to @Kreidoodle, @StudioYotta, @psychicpebble, and @MichaelRCusack for having me on board. (Also a sneak peak at an earlier design for Jared Fogle!)

[Chris @OneyNG]

Yooo go to TooManyGames from Jun 26-28 in PA, play BOWLBO in person! Let the team know if it’s fun or not 🤓 I’m not going to be there as I have to attend a wedding, but please go show the team some love, they have worked very hard on it ❤️❤️❤️

[FaKanza @FaKanza]

@MRCakeDragonMan @OneyPlays Just last one ever so far

[FaKanza @FaKanza]

My last ever appearance on the @OneyPlays channel. Don't cry because it's over. Smile because it happened.
https://t.co/ZATixinNRl

[FaKanza @FaKanza]

@AdmiralBoreal @oneydaily that was me👀

[FaKanza @FaKanza]

🎂🎈🎉

[FaKanza @FaKanza]

I'm in the new @OneyPlays, go watch! https://t.co/1jzmv5YM6m

[FaKanza @FaKanza]

@SickAnimation This reference was received, understood and nodded at with a smirk. Well played new friend, well played.

[Chris @OneyNG]

Anyone with blender rigging experience (to Unity pipeline) looking for work???

[FaKanza @FaKanza]

I animated a lil bit for the start of this episode... it miiight involve mario and a little blunt if you catch my drift ☁️🥬

[Oney Plays @OneyPlays]

Starbees Girl Crashes in SONIC UNLEASHED https://t.co/xi9ps4AnRV

[FaKanza @FaKanza]

Turned 30 yesterday, I bet you 5 bucks I’ll be 31 this time next year.

[FaKanza @FaKanza]

@tdtbaa Thanks! glad you enjoyed it!

[FaKanza @FaKanza]

@Kreidoodle skill (lots of it)

[FaKanza @FaKanza]

Headphones on for this one

[FaKanza @FaKanza]

@jimmithy17 That’s the joke.

[FaKanza @FaKanza]

Drew a face that came to me in a dream

[FaKanza @FaKanza]

@dzyman Glad you liked em :)

[FaKanza @FaKanza]

Yeah absolutely. I even recall when shots reused animation that I had animated prior, I would be able to paste my frames into the new scene, and get a lower/easier rate for the reuse scene. So that was a nice way to bump up the pay a bit without animating anything new. That is however, quite rare.

The downside of the model of course is, who is judging whether or not a shot is hard, some corporate person with no idea, or someone who understands animation and character design etc?

If this is a project worth it's dues, however, you'll likely find the rate is fine and the complexity of the shots aren't insulting. (If that's how it's actually being structured)

[FaKanza @FaKanza]

Very much so, at least in my experience. This doesn't just include frames that were drawn (at least when I worked on things that had this structure) so even the drawing was on 2s, that drawing would count for 2 frames.

To my understanding (and experience with this model) it's total frames in the shot, not only unique frames drawn. But typically, the range 20 - 40, is based on complexity of the shot, so if a shot has more unique frames, it'll be worth more within the scale.

In the short run, I've made more with this model than a 'per second approved' model. But in the long run, I've worked on more things that used the 'per second approved' model. I've only worked on a couple of things that have used the 'per frame' type.

I was able to make a comfortable wage on all the projects I've worked on that have been per frame, but with all that being said; it totally depends on the complexity of what it is you're animating of course. I've typically only seen this structure on things that are FBF, never rigged.