A 30 day shoot so they paid her 9k. They had 45 people on the crew. Assuming they pay everyone that amount, that’s $400,000. More than half the budget. That’s not considering actors, locations, effects, or post.
These people have no idea how money or reality works! 🤦🏻♂️
The Obsession art director post. Man, what a choice.
One year total experience. Only credit pre-Obsession is a single short film. Sign on to a low budget indie. Agree to rate. Movie explodes. You're suddenly the Art Director fo the most talked about film of the year.
If this ever happens to you, let me give one piece of advice. Embrace it. Use the credit to fight off offers, get a BTL agent, turn those difficult three weeks into an incredible career.
Do NOT cut every connection you have to the filmmakers, put out tweets about how you wish you'd shut down their production, and complain about the rate you agreed to (which isn't even like $100 or some student film sketchiness).
Do you know how many indies I have done as an actor for $240/day? A fucking lot. Every single time I know what I'm getting into and I hope to god it turns out well and leads to another opportunity. I cannot even imagine getting cast in Obsession and then putting out a career ruining post about it instead of trying to leverage it into more work.
bisognerebbe tornare a spammare il numero del telefono azzurro ovunque, non solo su internet. in passato lo mettevano anche nei libri, sulle copertine dei fumetti tipo Topolino, quaderni per disegnare, ecc. e spiegare a scuola ai bambini di cosa si tratta e come usarlo
I love that no one is surprised by this score. Every Scary Movie fan I’ve seen on my timeline had a reaction that’s basically “Well duh, it’s Scary Movie”
i don't think a lot of people have taken notice of it, but kane parsons' take on the backrooms definitely feels inspired by the twilight zone episode "little girl lost" to me, especially with how the entrances are marked so people can know where they are
@effoff1988 is right, I’d argue though that BACKROMS was a known IP with big built-in following while OBSESSION was 100% new-to-the-audience. So I’m giving OBESSION a slight edge over BACKROOMS.
Perhaps he brings to the little house the women he wants to fuck with? You don’t have to be attracted to everyone and every kind of body to be supportive.
Qué gracioso que Bad Bunny lleve 10 años vendiendo inclusión, cuerpos no normativos, feminismo, derechos LGTBI, etc etc pero para vender su producto esté subiendo a la casita a los 10 mayores pibonazos de cada concierto a mover el culo. Ni una gorda, hombre afeminado, persona mayor ni cualquier cosa rara. Todas mujeres de revista y semidesnudas. Me parece perfecto pero qué falso es jajajaj.