Glass Houses Good Fortune #4
2.5 weeks to go: Struggling to get a location for Cathy’s 1969 Brooklyn apt.
A week after meeting Larke at the Celluloid SC...
Larke: Saw your old FB posts. My apt was built in 1910, always thought it was NY.
And I decorated MID-CENTURY MODERN.
Glass Houses score is finally in the hands of our sound editor! Definitely an experience being at the mercy of others schedules! #shortfilm#indiefilm#postproduction
Glass Houses is 6:49 before credits. That’s time, not the lotto. The objective was to take someone who is closed and to give them a moment, an opening.
Nothing huge, not a song and dance, but a special moment, one we can all relate to, a brief subtle shift in our being.
The benefits of attending the Austin Film Festival are the writers & filmmakers you meet.
I met Michelle last year, we kinda lost touch, but dropped her a line recently, she’s returning for #AFF25
I love, love her short doc Amnon: Paddleball King #Vimeo https://t.co/iYOlKrNSr4
First-Time Filmmaker’s Tip 16b
Blocking: Give your DP a quick overview, then work with the actors. This allows your DP to set up.
Camera on sticks and basic lighting? That’s 20 mins/shot.
#indiefilm#shortfilm#filmmaking.
I just submitted "Glass Houses" to @whisfilmfest via https://t.co/sUH0RWS0Si! And rest assured, no more late entries from this point on! #shortfilm#indiefilm
Glass Houses Good Fortune #5
Friday 11:30pm. 9.5 hours before Day One. Still missing a location. Went to the neighbours. Your basement… can I?
Anything for the arts, they said.
#shortfilm#indiefilm
Glass Houses Good Fortune #2
Couldn’t get a casting agent (to even return calls). No auditioning experience. Set experience as bg x 4 days. Four days before casting, volunteering at the Celluloid Social Club:
Good fortune far outweighed any hiccups in pre-prod and post-prod.
Glass House Good Fortune #1
A gazillion actors wanted to audition for Delivery Guy. No one auditioned for Jerry, African American (50s). I offer the part of Cathy’s Mother to Kari Staten: