GT

[GT @GT47__]

i quit my (6fig) investment banking job to go all in on building/creating with AI w/ @beechinour

what i do:
- prompt engineering
- art direction
- ai content systems

i'm brand new to x, so would love to connect with anyone building in content/ai (will be posting more)

[GT @GT47__]

from the wizard himself

[Machina @EXM7777]

https://t.co/2cnMTXTMl1

[GT @GT47__]

@pounddz the future

[GT @GT47__]

@adithatipalli in the tele channel brother https://t.co/MTuVDIqKn4

[GT @GT47__]

i spent the past few weeks working out a repeatable workflow for consistent character sheets that don't drift in animation...

perfecting one ai character is the first hurdle. getting the rest of the cast to match is the real pain point

here are some results from for an upcoming project...

reply “CHARACTER” + RT and i’ll send you the full character sheet prompting guide (must be following so i can dm)

[mog @getonmog]

Introducing mog, a 0-1 moment for onchain markets

Up to 1,000x leverage on anything that has price

The biggest constraint to creating markets is liquidity

Now it's gone

With it, comes $MOG - 100% fair launch, zero pre-mine

[GT @GT47__]

@getonmog @RobinhoodCrypto Mogger

[GT @GT47__]

how to be your brand's narrator, per dana white:

[Machina @EXM7777]

https://t.co/Rl7bCIyNQw

[Pounds @pounddz]

https://t.co/YpCfn1V2HF

[GT @GT47__]

i dropped the most cracked start-frame workflow guide in my tele: https://t.co/3hXf4zSDYm

it covers:

> sourcing style references
> building moodboards in midjourney
> extracting style locks from ref images
> correct prompting language
> refining failed generations

these 4 arcane frames are part of a board i’ve used to create sick images

take these and start testing

[GT @GT47__]

@maxxmalist this much free sauce is crazy

[MAX @maxxmalist]

https://t.co/mvWKHVz4R6

[GT @GT47__]

@EXM7777 always 2 steps ahead

[Machina @EXM7777]

i have built the most innovative AI community in the world...

here's how i used AI agents to build it for me:

- the community lives on Whop, and i control it entirely from their CLI
- every section is its own app, so i push updates to the lessons and ship REAL software inside the community
- my agent has full vision on who's using what and where engagement peaks, so the upsell sits exactly where it should

i firmly believe this is the future of education

[beech @beechinour]

astra in premiere pro

i am pretty shellshocked

things I’ve tested so far:

> mixing audio/sfx
> organizing project bins
> looking through broll
> cleaning up my sequence

and im 2 hrs in…

[MAX @maxxmalist]

AI video is 100% solved

this guy took it a step further and started an interactive, infinite AI livestream rendered in real time with GPT-6 Astra on Higgsfield

[beech @beechinour]

astra in premiere pro is mixing audio 1000x better than i ever could, and i've been editing for 11 years

use this prompt:

----------------------------------------------------------

Act as a professional film sound mixer and fully mix this Premiere Pro sequence.

Use these rules:

Dialogue: always priority. Normal speech around -18 to -12 dBFS, with peaks generally -6 to -3 dBFS.
Dialogue consistency: clip-gain first, then light compression. Avoid obvious pumping.
Music under dialogue: typically -30 to -20 dBFS depending on density. Duck it enough that every word is effortless to understand.
Music without dialogue: can rise to roughly -18 to -10 dBFS.
Ambience/room tone: roughly -35 to -24 dBFS. Never leave unnatural dead silence between edits.
Background Foley: usually -30 to -18 dBFS.
Important Foley/SFX: roughly -18 to -8 dBFS.
Major cinematic impacts, gunshots, explosions, transitions: may peak around -6 to -2 dBFS, but never clip.
Master: never exceed -1 dBTP true peak.
For a web/YouTube delivery, aim around -14 to -16 LUFS integrated while preserving cinematic dynamics.

Sound-design rules:

Dialogue > story-critical SFX > music > ambience.
Use EQ to remove rumble/mud; don't make voices unnaturally thin.
Use subtle compression, automation, fades, crossfades, room tone, reverb and perspective.
Sounds farther from camera should be quieter, darker and wetter; close sounds should be clearer and more present.
Layer impacts with transient + body + low-end/tail when appropriate.
Build sound around cuts, movements, reveals and transitions.
Do not make everything equally loud.
Preserve quiet moments so loud moments actually feel loud.
Avoid clipping, harsh limiting, pumping, abrupt ambience changes or obvious audio cuts.
Continuously A/B the entire scene and make level decisions in context, not clip-by-clip.

Go through the complete timeline, identify every audio element, organize it logically, then perform the actual mix in Premiere. The final result should feel polished, immersive, controlled and cinematic rather than like individually normalized clips.

[GT @GT47__]

i’ve been spending 16 hours a day workshopping astra, mj v8.2, and gpt 2 to create undetectable ai anime…

i put together a full breakdown, it includes:

> the best anime moodboards
> extracting color science with ai
> prompt engineering
> my complete workflow

comment “AI” + RT this and i'll send you the full guide (must be following so i can dm)

[Pounds @pounddz]

https://t.co/Z0aPECdsZU