Androida Rain

Sobreviviente del Apocalipsis / Profeta de Godzilla

[Androida Rain @G_Rain_]

¡Feliz fin del mundo! Godzy Lupe.

[Jacob Coxon @hilbertspaess]

I resigned from Anthropic today. I spent the last three years doing pretraining research at both OpenAI and Anthropic. Neither company is acting responsibly. They are racing straight to self-improving superintelligence and gambling with our lives. More thoughts below.

[clay. @clayul]

Un ingeniero de Google Cloud acaba de mostrar cómo construir una aplicación completa con Claude desde cero.

Pasó 26 minutos en vivo en el escenario haciendo lo que la mayoría de los equipos tardan semanas en hacer.

Vale más que cualquier curso de codificación por vibras de $500, sin equipo, sin configuración, solo Claude y un objetivo.

Los que aprenden lo que Claude realmente hace están lanzando lo que todos los demás subcontratan a un equipo.

[Androida Rain @G_Rain_]

Estamos en la época de poner en el CV signo zodiacal y neurodivergencia.

[Okan Can @0kncn]

GPT Image 2 ve Seedance 2.0 ile komik bir animasyon sekansı yaptım.

Ve evet… bunu yaklaşık 10 dakikada yaptım.

İşin zor kısmı görüntü üretmek değildi.
Asıl mesele, her sahnenin bir sonrakine akıcı şekilde bağlanması ve tüm kaosun izlenebilir kalmasıydı.
Her şey 12 panellik basit bir storyboard ile başladı.
Sonra bunu tek bir kesintisiz çizgi film sahnesine çevirdim. Abartılı hareketler, güçlü silüetler, komik bekleme pozları ve giderek büyüyen bir kaos ile.

Sanki yıllardır yapılan bir animasyon filminin sahnesinden alınmış gibi durması hoşuma gitti.

[Kōda @aimikoda]

GPT Image 2 + Seedance 2.0 Prompt Share

Tried using IPA + FACS for a contemporary performance piece where live singing and choreography happen simultaneously. Not sure how much of it actually worked technically but I think the final result turned out pretty interesting.

I also ended up color-coding the storyboard annotations because otherwise annotations were confusing the model. Different colors helped separate body movement, camera motion, framing and lighting directions from the actual environment and character drawings.

You can find color-coded storyboard prompt + seedance 2.0 prompt in the replies.

[Olivio Sarikas @OlivioSarikas]

FULL Prompt & Guide 🔥
THIS is very powerful, but ONLY if you DO THIS⚠️:

[Soy Marbe @BellaIndirecta]

La verdad por más que la IA lo siga intentando, se la pelas a México compadre ¿Podrás? ¡Jamás! 😂

[テックトークナビゲーター@AIコンテンツクリエイター @TechTalkNAVI]

『本の渡り鳥』

👇️プロンプト👇️

{
"shot": {
"composition": "巨大な円形図書館の中央。カメラは床から天井に向かってゆっくりと上昇（ペデスタル・ショット）しながら、周囲を旋回する",
"lens": "20mm 広角レンズ（書棚の高さと空間の奥行きを強調）",
"camera_movement": "本が羽ばたく群れの中を通り抜ける、没入感のあるドローン視��"
},
"subject": {
"description": "書棚から一斉に飛び出し、翼のようにページをパタパタと動かして飛ぶ数百冊の古書",
"props": "空中に舞う黄ばんだ紙片、インクの滴、床に向かって雪のように降り積もる活字の粒子",
"environment": "埃が舞う高い天井、ステンドグラスから差し込む光の筋（チンダル現象）"
},
"visual_details": {
"action": "一冊の本がカメラの目の前で大きくページを開き、その中から文字が飛び出して空中に溶けていく",
"special_effects": "紙の質感が非常にリアル。古い紙のざらつき、革表紙の光沢、ページがめくれる際の物理シミュレーション",
"hair_clothing_motion": "本が通り過ぎる際の風圧で、近くの��ーテンや床の埃がふわりと舞い上がる"
},
"cinematography": {
"lighting": "午後の柔らかな太陽光が窓から差し込み、空中のチリと本の群れを黄金色に照らす",
"color_palette": "セピア、深いブラウン、金色の光、インクの黒",
"tone": "幻想的（Dreamy）、アカデミック、静かな興奮"
},
"audio": {
"music": "静かなチェロの独奏。本が羽ばたくリズムに合わせたピチカート",
"sound_effects": "数千枚の紙が擦れる「パタパタ」という乾いた音、静寂の中に響く本の閉じる重厚な音",
"mix_level": "ASMRのような耳元で感じる紙の質感音を強調"
}
}

#sjinn
@SJinn_Agent
#本
#AI動画

[Josh @altphotos_pl]

Bullet time freeze in a beach volleyball spike moment.
Prompt 👇

[テックトークナビゲーター@AIコンテンツクリエイター @TechTalkNAVI]

「無重力お茶会」

👇プロンプト👇

{
"shot": {
"composition": "ガーデンテーブルを俯瞰する位置から、ティーカップの内部へ向かうドリーイン",
"lens": "24mm ワイド（周囲の庭園の広がりを見せる）",
"camera_movement": "重力を無視して浮遊する物体を避けるような滑らかなドローン風の動き"
},
"subject": {
"description": "テーブルから数センチ浮いた状態で静止した人々。ドレスの裾が不���然な形で固定されている",
"props": "カップから飛び出し、宙で球体になった紅茶、半分に割れたスコーンの断面"
},
"visual_details": {
"action": "宙に浮く角砂糖に指先が触れると、そこから波紋のように時間が解け始める",
"special_effects": "紅茶の球体が重力に従い、カップやドレスに飛び散るスローモーション"
},
"cinematography": {
"lighting": "柔らかな木漏れ日。浮遊する液体の透過光を強調",
"color_palette": "パステルカラー、鮮やかなグリーンの芝生"
},
"audio": {
"music": "優雅なハープの音色が、不協和音を経て激しいオーケストラへ",
"sound_effects": "陶器が砕ける高い音、液体が衣類に染み込む湿った音"
}
}

#DreaminaCPP
@dreamina_ai

[Pierrick Chevallier | IA @CharaspowerAI]

🚨PromptShare🚨
POV time-freeze JSON PROMPT for Seedance 2

PROMPT
{
"shot": {
"composition": "POV time-freeze with hands moving through frozen environment",
"lens": "ultra-wide cinematic lens with subtle distortion",
"camera_movement": "slow walk, precise hand movements, sudden time release burst"
},
"subject": {
"description": "person moving while everything else is frozen mid-action",
"wardrobe": "hands visible",
"props": "frozen people, objects mid-air, suspended debris"
},
"scene": {
"location": "busy city street",
"time_of_day": "day",
"environment": "people frozen mid-motion, objects suspended in air"
},
"visual_details": {
"action": "walk through frozen crowd, move objects, sudden time resumes explosively",
"special_effects": "time freeze particles, motion snap release",
"hair_clothing_motion": "fabric still then snapping with time"
},
"cinematography": {
"lighting": "clean daylight with sharp shadows",
"color_palette": "natural tones with crisp contrast",
"tone": "mind-bending, cinematic"
},
"audio": {
"music": "slow ambient then explosive drop",
"ambient": "silence then sudden chaos",
"sound_effects": "time snap, object movement",
"mix_level": "contrast silence and burst"
}
}

[Mushfiq Sajib @heysajib]

Seedance 2.0 is finally FREE! 🤯

The China Model that just cooked Hollywood is now open.

We are talking about the tool that is creating 1080P, CGI-level video so realistic.

You don't need a credit card or even a sign up!

Here is how to access it for free: 👇

[Erick @ErickSky]

Corridor Crew acaba de open sourcear CorridorKey: la IA open-source que quita el green screen a la perfección, solo mira este video, es UNA LOCURA.

Si trabajas en VFX esto es ORO PURO PARA TI.

REPOOO 👇

[Variety @Variety]

Netflix has acquired interpositive, a start-up founded by Ben Affleck that makes AI-powered tools for filmmakers.

• The system builds AI models from a film’s dailies to assist with postproduction tasks like color, relighting and VFX while keeping filmmakers “at the center of the process.”

• Bela Bajaria, Netflix’s CCO, says the tech will provide creatives “more choices, more control and more protection for their vision.”

https://t.co/rTCBvsmm4H

[Androida Rain @G_Rain_]

Dice Chris que si vamos a ver Montaña Rasca Rosas al cine.

[Gillian Branstetter @GBBranstetter]

Are you telling me penguins survive on the warm embrace of collectivism and not the frigidity of rugged individualism

[Miguel Araiza @miguelaraizac]

LAS MEJORES PELÍCULAS DEL 2025.

Vi un total de 81 películas nuevas este año: muchas malas, pero también muchas buenas.

Y estas 10, para mí, fueron las mejores. 👇🏻

[seraph @despaird0ll]

my partner broke up with me so i asked if we can keep things casual and they said yes https://t.co/FaNguY17OK