Not Just Making A Film But Chasing A Dream That Transcends Borders 🌍
When Vision Meets Ambition #NamitMalhotra & #YashBOSS Share An Extraordinary Vision To Take Ramayana To The World Stage Setting New Benchmarks For Indian Cinema
Two Dreamers One Vision Aiming For A Global Legacy 🔥
#Ramayana #Yash
@TheNameIsYash
During the Toxic phase, Yash faced trolling just like SRK did during his rough phase around Zero. But both are making strong comebacks. That’s what makes self made superstars different.
Congratulations to #YashBOSS garu on joining megastar #ShahRukhKhan in the elite multiple 1000 crore club. 🔥
Happened to see #Ramayana in Dolby Cinema in @AlluCinemas. It was a Breath taking experience. Never seen a 3D visual this bright almost matching the 2D spectacle.
Movie is Technically Epic. For me this is the first Indian film surpassing the International standards. Along with Hanszimmer whenever Rahman sir brings in Female voices to the score. It is Goosebumps. 🔥🔥. Hatsoff Team. Amazing to see the all the departments complimenting each other and making this done and dusted story a never seen before experience.
As a film it is Yash’s show. He is standing tall like a volcano whenever he appears. Ramayana Part 1 belongs to Ravana. Someday someone should make Ravanayana. Such a fascinating character he is. The way Pathu Thala appears on screen itself is worth our money.
WHAT A MAGNIFICENT POSTER! 🔥👑
Some posters are made for cinema screens. Some deserve to be seen on every street!
Just imagine this royal frame on the back of an auto, a bike, a bus or a car! 🔥
The kind of poster that doesn’t just decorate a vehicle, it gives the vehicle a whole new identity! 👑
Some visuals don’t need publicity. They become a statement wherever they go!
THE REIGN OF RAVANA! 🔥
📩 Want this masterpiece in HD quality? Drop a comment below!
#YashBOSS #Ramayana @TheNameIsYash
HISTORIC MILESTONE 🔥
#Ramayana storms past the ₹1000 CR+ GROSS mark in just 8 DAYS
The 2nd ₹1000 CR+ grosser for our very own @TheNameIsYash Boss 👑
THE CEO OF BOX OFFICE CONTINUES TO RULE ❤️
Man.
#Yash became a sensation post #KGF2. Toxic did not land as per expectations but he did not disappoint with his performance. Plus the opening, especially in Hindi, is something that isn't ordinary and only a few can pull off.
And now, with #Ramayana, he didn't just deliver at the box office, he won appreciation too.
His massive star-power comes with solid looks and fabulous performances too. This thing with Yash is absolutely crazy and something that I really admire.
Watched #Ramayana for the 2nd time and incidentally I am an atheist and so this analysis is from a film watcher and not as a ram bhakt
While other reviews grudgingly note its scale and then hedge with “but the soul is missing” or “music could be better ,” etc , what they are missing is that the soul is in the scale and the emotion is in the humongous ambition of all the wonderfully talented people behind the making of this film
@NiteshTiwari22 and @NamitMalhotra have achieved what no one in Indian cinema never even dreamt of.. They have taken the devotional Juice from a well known epic and placed it on a canvas that made me as a viewer feel , the greatest Hollywood films as stage plays.
The opening cosmic battle, Ravana’s ten heads materialising not as a gimmick but as a living expression of knowledge and internal conflicts, the forests that feel more creature like themselves than the creatures they host , and standing high above all the breath stopping climactic Jatayu sequence … these are not mere Vfx effects. They are actually galactic events of the future brightness of Indian cinematic cosmos
This is Namit Malhotra’s slap on the faces and a kick in the crotches of Bollywoodians to wake them up from their lazy slumberness to show them what all is possible it there’s a will
@TheNameisYash ‘s Ravana is not a performance of the year, but it is of many decades .. I say that because I simply can’t remember anything I ever saw with his kind of a electrifying effect ever since I started watching cinema
He does not play a villain. He plays a man who has earned his power through penance, intelligence, and a refusal to bow .. The backstory the trauma, the devotion to Shiva, the ambition that becomes a prison , brilliantly written by #SridharRaghavan has been enacted with a combination of both a crystal clear clarity along with a monstrous force of reaching far beyond an objective destination so colourfully displayed with magnetic precision when he intrinsically ponders with his ten heads before taking the decision of kidnapping Sita ..
Every review that calls him the show stealer is correct, but what they missed is the larger picture that his portrayal made Ravana look like the gravitational centre of Rama
In short there’s no Rama without Ravana
Ranbir Kapoor’s Ram is the necessary counterweight against the worldly evils which anyway was the whole point of his godly status
Critics who wanted constant emoting from Ranbir saying he’s got same expression throughout are flmissing the point that Ram is defined by what he withholds and not by what he expresses
His quiet acceptance of the exile, his controlled violence in the forest sequences, his stillness that so wonderfully contained an absolute certainty is the hardest thing to play for an actor because when he finally acts , it’s not his arrows alone which find their mark , but more than that its his principles which pierce
What I loved about @HansZimmer and @arrahman is that they did not compete with the imagery but they rather flowed with it. The score does not try to reinvent devotion. It just amplifies the existing mass of the specific emotion and more importantly pin points the choices of its characters .. Songs that feel “functional” to some critics are doing the correct job because they do not interrupt the momentum of a three hour epic that is slowly building towards a confrontation
The Tandav energy and the aerial combat cues strike hard with a never before seen or experienced force.
In a film this large, restraint in the music is not a lay back , but It is a volatile high energy concoction of discipline and strategy
In my not so humble opinion what the negative reviews state as problems are actually the film’s real strengths.
The so called length is very necessary because one cannot establish Ravana’s scale and then compress Ram’s exile into just a highlight reel without losing the predicament of an impending inevitability .
I love Tiwari because he refuses to cheapen the moral stakes and turn the story into a masala action drama and the result of that conviction of his is a film that can be watched by families , youngsters , Gen Z etc etc and still hit the front benchers of the small and tiny towns .
This is the first ever Indian film that can stand above each and every large scale international production with its head held high and with an immense pride .
That’s because it does not borrow the language of the Lord of the Rings or Avatar . Instead it takes inspirations to dig into its own rich Indian backyard with the greatest ever stories which have been waiting to be excavated
Reviews might have given 2,3,5 whatever starts but I feel It’s an insult to india and it’s cinema to review this film
The negative reviewers are looking at a mountain and complaining that the path is steep and uneven but that’s because they are too small in comparison to the garangutan architects who built this mountainous Taj Mahal of cinema
Ramayana: Part 1 is the opening statement of a new standard for Indian cinema and whatever film will be made after November 5 th will now be measured against it , and the only thing which will destroy Ramayana part 1 will be Ramayana part 2 🙏🙏🙏