WAR IS OVER! IF YOU WANT IT
Download free multilingial posters at https://t.co/SqTb9UUk7U.
Print them out, put them up, share them on Social Media. #warisover
POWER TO THE PEOPLE - John & Yoko live in concert
🎟️ Get Cinema Tickets → https://t.co/ff1NI2o2KH
You are the Plastic Ono Band - experience the concert with other people in the cinema audience - in 5.1 Surround or Dolby Atmos - screening this Wednesday for a limited time.
#powertothepeople
IN CINEMAS TODAY!
POWER TO THE PEOPLE - John & Yoko live in concert
🎟️ Get Cinema Tickets → https://t.co/ff1NI2o2KH
You are The Plastic Ono Band - experience the concert in the audience with other people at the cinema - in 5.1 Surround or Dolby Atmos in selected cinemas - screening only for a limited time.
#powertothepeople
PLAY IT BY TRUST with YOKO ONO
https://t.co/InQ4ANOB0k
You can now play chess against iconic musician, artist, and activist Yoko Ono on https://t.co/Lz14inlDBq—while also experiencing her art!
Challenge the Yoko bot and play with an exclusive all-white chess set based on Yoko Ono's "Play It By Trust" artwork. "The white chess set is a sort of life situation," Yoko said about her artwork on her website. "Because the chess pieces on both sides are white, you always have to be aware of which are your pieces."
Challenge the Yoko bot to a friendly game of chess and enjoy the unique experience of playing with the online version of Yoko's chess artwork.
FREE TIME
She handed out hammers, screened films of body parts, and did a Q&A where every question was answered with a question.
Yoko Ono takes over public television show Free Time for a strange and riveting hour to bring her experimental art and performance pieces to a live studio audience. This is Yoko on her own terms — not as the wife of Beatle John Lennon, but as a conceptual artist, filmmaker, and philosopher who had been pushing art's boundaries since the early 1960s.
Jonas Mekas, an avant-garde filmmaker in New York City, joins Ono and John Lennon for a Q&A and a wide-ranging conversation about the subconscious. We see several of Ono's experimental films — including "No. 4" (also known as "Bottoms"), "Up Your Legs Forever," and "Fly," interstitial excerpts inspired by Yoko’s conceptual book "Grapefruit" — specifically material connected to “Of a Grapefruit in the World of Park." Yoko explains why she believes “total communication” is the only path to total peace in the world and invites the audience to participate in her unfinished art installations.
https://t.co/CfmbCjfCnN
How Yoko Ono’s Wish Tree installation in Los Angeles is helping people voice their hopes
Wish Trees for Los Angeles invites people to jot down their hopes on paper tags and tie them to the trees, drawing as many as 800 a day
https://t.co/gPwgVLokam
HAPPY GLOBAL BEATLES DAY!
John: They, whoever they are, don’t stand a chance, because they can’t beat love."
Wishing fans around the world a very happy Global Beatles Day with love from Yoko and Sean.
Season of Glass review: @theQuietusArt
https://t.co/qqwHHMOazw
Forty-five years on, Season Of Glass no longer has to justify its existence. Time has caught up with the work. The controversies that once threatened to overshadow it now feel secondary to the remarkable coherence of its artistic vision. Heard today, the album reveals itself not simply as an extraordinary document of grief, but as one of the clearest expressions of Yoko Ono’s lifelong artistic commitment to work that refuses comfort, certainty or easy resolution. It is the sound of Yoko Ono insisting on telling her own story on her own terms.
INSTANT KARMA! (WE ALL SHINE ON)
John Lennon, Klaus Voormann (bass) and Alan White (drums) play 'Instant Karma! (We All Shine On)' on BBC's Top Of The Pops, while Yoko Ono performs, blindfolded by a woman's sanitary towel, holding up boards in John's handwriting that say BREATHE, SMILE, PEACE, LOVE and HOPE.
GIVE PEACE A CHANCE
https://t.co/Q5qpr56L9w
First released on July 4, 1969.
Yoko: All those Vietnam protests really changed the world. There was always that element who were really resisting it. That was the saving grace – that people were aware that they were that young generation who were really against it. And so it worked very well for the world. And the Bed-In was just part of it, a definite part of it. It was a statement on a very theatrical level and I think it was very effective. We were artists and did it our own way. We felt very good about it then, and it was such an incredibly strange thing that we were doing. At the time it was a courageous thing to do. John was making the statement in a way that he was looking at the far, far future. I saw it in his eyes. He was saying, ‘OK this is what we’re going to do together.’ And we’re going to give peace a chance. To the world.