.@crushedwrldwide's "starburn" gets the remix treatment from Montreal's @jacquesgreene . Greene says, “crushed had gone triple platinum in my headphones as an airport soundtrack lifeline. It’s been a joy following them and getting to know them a bit. A real pleasure to take them into the club.” link in bio.
Miami (as well as the Bay) were the real landing points for American IDM, the South in general was responsible for an outsized amount of influence. We felt "seen" by Schematic and brought them up a year or two later to Detroit
.@crushedwrldwide's "starburn" gets the remix treatment from Montreal's @jacquesgreene . Greene says, “crushed had gone triple platinum in my headphones as an airport soundtrack lifeline. It’s been a joy following them and getting to know them a bit. A real pleasure to take them into the club.” link in bio.
for anyone who wants a great intro to IDM outside of Boards of Canada, Aphex, Autechre - this article by @laurent_fintoni opened my eyes to America's contribution to glitchy electronic music.
mentions of the scene that birthed Richard Devine, TTV, Machinedrum, Phoenecia, etc.
"On en retient un disque profondément moderne porté par une liberté artistique totale." - 'Of Earth & Wires' de Dua Saleh dans la sélection de @ELLEfrance@doitlikedua@ghostly
https://t.co/cYyArO97M7
I’ve written a book! Aftershock: The Seismic Impact of Dubstep will be published this summer. The oral history of the British dubstep origin story, as told by 28 artists and key figures, and with original, exclusive photography, flyers and scene visuals.
10 years of Xeno and Oaklander's immaculate Topiary (GI-270)
"We began from a kind of Year Zero...nothing written, nothing recorded, just a bracketed amount of time in which to compose, arrange, record, and mix the album...living and breathing music from sun up to moon up."
Maybe the murder of screeching crows that surrounded Connecticut's Clubhouse Studio—turning all the trees jet black—was a sign that something was up with its latest tenants, Xeno & Oaklander. Well, that and the lunar eclipse that lit the starry night sky while Liz Wendelbo and Sean McBride plowed through another propulsive minimal-synth piece called "Palms."
"Un projet ambitieux qui révèle l'ampleur du talent de Saleh" - 'Of Earth & Wires' de Dua Saleh dans la sélection @Le_NouvelObs@doitlikedua@ghostly
https://t.co/KCaxufrlZz
The NPR station in southwest and central Virginia, @WVTFRADIOIQ , aired a nice story about the label I founded, @jagjaguwar .
Radio journalist Dave Cantor interviewed me about the label's early years, when it was still based in Virginia.
I fondly remember the few days I spent at WGNS Studios in Northwest Washington, DC, with these three high school kids from Staunton, Virginia: @KurtBeals, John Harouff, and Neil Campbell.
Geoff Turner—fixture of the DC music scene, producer and engineer—helped them create an extraordinary record unlike any other, a screeching, avant-garde maelstrom you would never imagine coming out of middle, rural Virginia. (This month, Jagjaguwar is reissuing it on vinyl for the first time.)
"Jim Carol New Year" is the first single off @blackmarblenyc's new album Life in Small Spaces. Watch the video on YouTube now!
https://t.co/RYqfPBjVRF
Director - Clayton Hunt
Director of Photography - Freddie Whitman
Producer - Michela Newhouse
Editor - James Manson