Josh Glenn-Kayden

Artistic Producer & Casting Director @company_one. Boston director. he/him/his

[Josh Glenn-Kayden @GlennKayden]

If you want a hopeful, ambitious, queer, sci-fi play, we made Shrike for you!

[Company One Theatre @company_one]

SHRIKE is still available to stream!

It was Directed by @GlennKayden, Stage Managed by @itsafrikah, and Dramaturged by @alison_qu, all amazing C1 staff members and artists!

[Josh Glenn-Kayden @GlennKayden]

I don't tweet much anymore but I'm reading The Actual Star by @monicabyrne13 and it is absolutely incredible! Friends, please buy this book and then talk with me about it!

[Josh Glenn-Kayden @GlennKayden]

Everyone who has responded to this with some kind of "Well, actually..." tweet needs to read at least one of Sloth's plays on @NewPlayX and then pitch it to at least five companies as penance

[Josh Glenn-Kayden @GlennKayden]

Free brilliant casting idea - @JinkxMonsoon as Cora Hoover Hooper #justiceforanyonecanwhistle

[Alison Qu 曲悦鸣 @alison_qu]

come tonight / for some magical new music and play / about our grandmas and aunties / who feed us bone soup and say we’re fat / who are soldiers fighting the world on grocery trolley / who fan the summer air and sing us to sleep / remember her melody / to love her dearly

[Josh Glenn-Kayden @GlennKayden]

Rivers Solomon, N.K. Jemisin, Becky Chambers, RF Kuang, Peng Shepherd, Kaitlyn Greenidge, Neil Gaiman...

[Tai French @Matrimonified]

Name an author you will read anything they publish, no questions asked.

[Josh Glenn-Kayden @GlennKayden]

@wmcguy I haven't watched it in ages but I remember it made me sob so maybe not...

[Josh Glenn-Kayden @GlennKayden]

I'm so excited to be co-teaching this class in the fall! We're staying virtual this semester so anyone can participate whether they're local to Boston or not!

[Company One Theatre @company_one]

Auditions for our Professional Development for Actors fall virtual session are August 31!

Our virtual acting classes will be held on Tuesdays from 6:30 - 9:30pm ET, with a public showcase on November 9.

Reserve your audition slot:
https://t.co/IxdDtkoOCk

[Josh Glenn-Kayden @GlennKayden]

@amyrberryman Oh wow that's a GORGEOUS cover!

[Josh Glenn-Kayden @GlennKayden]

So thrilled to be part of Field Work with all these brilliant people! And the entire program is pay-what-you-want with a $0 minimum!

[Company One Theatre @company_one]

Check out this lineup of local & national leaders who will be joining us for our Field Work Spring Convening!

Featuring workshops, video drops, & Zoom hangouts, Field Work is an online convening for civic-minded theatre artists, April 24 - May 1.

RSVP: https://t.co/Jn3juWWt3U

[Josh Glenn-Kayden @GlennKayden]

@slothlevine The monster mash sundae from Friendly’s was a pivotal part of my childhood. What an excellent choice!

[Josh Glenn-Kayden @GlennKayden]

@jxckchilli Rivers Solomon!

[Josh Glenn-Kayden @GlennKayden]

TONIGHT!!!!

[Josh Glenn-Kayden @GlennKayden]

Y'all @slothlevine @phaedrasays and Jaymes Sanchez have each written glorious speculative plays as part of my thesis. Across these three plays, we have androids, drag kings, dystopian reality tv, and more! Click the link below to register!

[Josh Glenn-Kayden @GlennKayden]

@_Mona_Rose This brings a whole new meaning to the lyric "Bobby baby"

[Josh Glenn-Kayden @GlennKayden]

In the past three days, I've seen @faaakefriends #circlejerklive, Downtown Crossing @company_one, and a @ShoshanaBean concert. Live performance is thriving this week y'all!

[Josh Glenn-Kayden @GlennKayden]

@slothlevine I don’t think most audiences know or care. Our institutions have just decided to give those reviews power when we could all just ignore that noise.

[Josh Glenn-Kayden @GlennKayden]

@slothlevine I would so much rather watch/work on a messy, ambitious play that both succeeds and fails in equal measure instead of something small, manageable, and safe.

[Josh Glenn-Kayden @GlennKayden]

@slothlevine The American theatre's obsession with world premieres is such an obstacle. Everyone is scared to produce something before it's "ready" because if the first production isn't well received, it's almost impossible to land other productions (even if the writer wants to make edits)