Fun fact : All the music tracks I compose and record for my #art videos on YT are tuned in ancient sacred frequencies that some cultures believed helped cleanse your aura and open your chakras. Great for relaxing background music or to inspire while doing art!
@elonmusk The whole 'reaching Type 1' is actually pretty boring. Maybe we need more flashing lights or a catchy slogan. Anyways, where are all the trolls that usually come argue with me so that I can mansplain the heck out of reality! Or not... Whatever levitates your saucers! :)
@elonmusk The secret to generation and storage is power amplification. (Often mistaken for perpetual energy), also, Tesla's 3-6-9 wasn't the Mandelbrot set. However, It is vortex math, just not how 'they' think it works. Interesting stuff. Oh, and a Theory of Everything... actually simple.
@TheBlindLynx@noahbradley Are you a musician or know anything about music theory? I figured out enough to explain the current balance model differently... because of the 30 degree spacing it actually forms a 8 tone dominant scale overtop the half whole diminished. This would be worth another video.
@TheBlindLynx@noahbradley And since this is in equal temperament, then you can for equal chords the whole way through until it repeats, instead of the current balanced version that creates 30 degrees of dissonance per step.
@TheBlindLynx@noahbradley Let's say we're painting in the scale of Red Major Ionian as the root, or dominant color, you can form a 12 tone chromatic scale, and then a 7 tone major scale from your octave, and treat your colors the same as you would treat sound.
@TheBlindLynx@noahbradley Plus another great advantage is that it tells you what colors not to use because they should sound dissonant (tritone). After a while, you play music by ear, you paint by eye. You can feel these things. But explaining it is the hard part. This is how it should be explained.
@TheBlindLynx@noahbradley So the complementary changes to 7 instead of 6, and it also shifts warm/cold spectrum so that the shadows and lights are slightly different.
@TheBlindLynx@noahbradley The goal is to figure out what colors vibe and what colors don't. So in terms of frequency, we are supposed to use ratios. Colors are frequencies, why do we use degrees? Equal temperament is where it's at.
@TheBlindLynx@noahbradley And this is in 'RGB speak' technically you can start the octave wherever you want, so if the lowest color you can see turns out to be 390THz then the octave is at 780THz, maybe some people actually do see Bb, I think I do, but I definitely do not see B.
@TheBlindLynx@noahbradley We can technically only see 10 colors out of 12 possible chromatic combinations in the octave, this is why we use magenta and rose to fill the gap.
@TheBlindLynx@noahbradley The reason is because the octave repeats, so essentially we start with red (the lowest frequency we can see at 400THz and we can see to about 750THz, the octave would be 800, there's missing magenta and rose, then back to red. So we don't see a full octave in frequency.
@TheBlindLynx@noahbradley I lean towards harmonized because you can map them in reverse, so if you divide each color frequency by 2 about 40-41 times, they line up with musical notes, so I think they are in essence made to be dealt with the same. And it kinda makes sense that we can only see 1 octave.