✨Frederick Elmes’s Closet Picks! ✨
The legendary cinematographer praises the way Néstor Almendros captured light in DAYS OF HEAVEN, talks about his experience working with Elaine May on MIKEY AND NICKY, and shares what makes NO BEARS such an engrossing film.
A$AP Rocky’s stance on AI being used in music nowadays:
“It depends. I feel like when guys like Flexin’ Phoenix [Fenix Flexin], whatever his name is, and Tyga —
I don’t know their process of how they make it, but I know when they made it, they caught a lot of backlash and shit like that.”
“Me, personally, I prefer to do things myself, practically. Say if there's a song that's already out from, say, Kanye [West’s] Graduation. Let's say “Good Morning,” you want to take Kanye's lyrics off, but you want the instrumental, not that you can't just find the instrumental online, but say it was hard to find the instrumental, what you could easily do is use AI to split the stems and take away his vocals so that you could actually rap on it.”
“AI has a lot of negative connotations. I don't think when it's used in certain ways that it's necessarily a right or wrong thing.”
“AI is supposed to be a tool in that sense. If somebody does a totally AI-generated song where all they did was prompt something, then I think that that's their thing. But who am I to say what's standard and what's not?”
“I'm just doing me out here and I'm doing my music practically—the right way. I'm really tapping with musicians, producers, beat makers, just to convey my sound and develop my sound.”
@YouTube その④
これもエモさマシマシ×5億倍が供給過多すぎて死んでしまう…
MALLBOYZ-MB Forever Ⓜ️🅱️.*⭐︎∞(feat.Tohji & gummyboy)Nemly remix #MallTapeRemixZone by Nemly_Sakura☦︎•*☽ on #SoundCloud
https://t.co/cBiVLNy4Ny