We had a great time chatting with @tfir_io about why the industry needs to move beyond feature flags ---> dynamic configuration ✨
#devtool#movefast#agile
Watch the full interview w/ Konrad here: https://t.co/l8zKNX72yY
The latest startup in the 10K fam @Lekkodev just launched out of stealth 🚀 I sat down with their CEO & founder to discuss how dynamic configuration made it possible for Uber to scale to over 10,000 cities🌐 & why the industry needs to move beyond feature flags 🚩🚩
https://t.co/LmvnKALP4a
We're excited to announce Lekko is out of stealth 🚀
💰 We've raised $4.5 million in funding from top-tier investors
💻 Lekko is the first dynamic configuration tool on the market
🚩 Move beyond feature flags that litter your codebase
https://t.co/tLJZBZWE1o
@aservais1@cfrln The gallery system is a fairly recent phenomenon in the grand scheme and it will eventually get replaced. I’d prefer that what replaces it is does a better job of acknowledging the role of art as something more than a commodity to be bought and sold.
@aservais1@cfrln Art is way more than money. If that wasn’t the case there would be basically no artists. It’s also why art marketplaces will never really shift the needle in a meaningful way. However, that doesn’t make the art world impervious to change.
@cfrln@aservais1@HauserWirth The 95% was calculated based on figures from the Art Basel/UBS Reports. It doesn’t apply exactly to the full $65b market, as a portion of the market is arts institutions etc., but it’s pretty close for 70%+ of the market value driven by purchases from private collectors.
@cfrln@aservais1@HauserWirth The 2% of high net worth people as the main drivers for the art market is actually inflated from the estimation by Larry’s List that was published in the New York Times a few years ago.
https://t.co/vWSGj3eNQR
@cfrln@aservais1@HauserWirth They put the number of serious art buyers globally somewhere around 10,000 which would be closer to 0.07% of people with over a million dollars at their disposal. I’m not sure they have 100% coverage, but they’re likely close enough that 2% is a pretty generous figure.
Design is hard (II).
A large part of this is choosing colors — *everything* you design needs a color.
I’ve realized that while true mastery takes years, there are simple, scientific rules that can make your colors much nicer.
Here are 10 practical tips for choosing colors.
There's a big difference between someone who knows something because they've experienced it versus read about it.
It's like the difference between a company that built from direct user knowledge versus cloning. The one with real experience can extrapolate, the other can't.
Average person goes through life and tries to extract value from every person he meets
Then wonders why nothing seems to work out for him
If you simply go into interactions with the goal of providing value to every person you meet, it’s extremely difficult to not be successful