@_drivingman I saw a clip going around yesterday of Gerald Casale from Devo explaining that the main hook of "Whip It" is just the first half of the main guitar riff of "Pretty Woman'
If you are making art right now you have a moral and social responsibility to make it as offensive and heinous to the mission of those in power as possible.
Creative work is the last frontline of free speech, don’t give an inch.
Collapse is not coming—it's already here, unevenly and worldwide. The capitalist ruling class knows it, plans for it, and hides it. The media’s silence isn’t incompetence—it’s class war. Their job is to pacify you while imperialism burns. Prepare to organize, not just survive.
@jackie_ess Recently I've come to think that the best answer to the question "What is love?" was answered best in the Haddaway song. "Baby, don't hurt me."
3 writers, 3 generations, all who got their start at Beyond Baroque… join us for a reading featuring Jack Skelley, Kim Rosenfield, and Exene Cervenka. They will be reading from newly published works!
RSVP at https://t.co/VNjkLBdezg
👁️❗️👁️ playlist from our big-ass launch event last week or whenever that wuz: The Complete Fear of Kathy Acker 🌀 @SemiotextePress https://t.co/JT9vRlxtk4
The Complete Fear of Acker L.A. xstravaganza was such a blast. 1. Videos by Lydia Sviatoslavsky, w music by Stephen Spera. 2. Full house at Poetic Research Bureau/2220 Arts. 3. Semiotext(e) publisher Hedi El Kholti 4. I love you all.