It’s official! I am leaving @DramaAndTheatre mag this week. The title has been brilliant, but it is time for a new challenge 😊
If you are journalist with an interest in drama education, take a look at the job listing ⬇️
“This form of learning is the perfect solution, and we try to take these learnings forward into our teaching long after [Punchdrunk Enrichment] leaves the school.”
Thank you @HarrietFisk for visiting Route 158! Check out the article to see how we make an impact in education:
🚨ICYMI: The Student Guide to Drama Education 2024/25 is a free resource designed to provide you with all the information you need to make an informed decision on where and what you do next as a drama student ⬇️ https://t.co/wmb4uyzP0j
Hello! I am reporting from @edinburghfringe next week on behalf of @DramaAndTheatre magazine 🎭If you have any show recommendations please drop them below ⬇️
It would be discussing if programming big names in theatre productions is a positive (ie: increasing engagement with young people) or a negative (ie: removing jobs from theatre-trained actors). Get in touch via DM or email in bio ✏️
🎉The winners of the 2024 Music & Drama Education Awards (@MDE_Awards) have been announced! 🎭
This year’s awards ceremony included brilliant performances from London Bubble Theatre Company and Kinetika Bloco ⬇️ https://t.co/vBIoOsM0ra
🚨This #NationalApprenticeshipWeek, editor @HarrietFisk takes a look at the debate surrounding arts apprenticeships.🚨
Does the current system need an overhaul? Are misconceptions preventing apprenticeships from forming a stronger talent pipeline? ⬇️
https://t.co/gHqy152IZ6
I am now the Editor of @DramaAndTheatre mag! ✍️
If you are a freelancer in the world of drama education please pitch any opinion peices/ features/ reviews you would love to write for the publication to hattie[dot]fisk[at]markallengroup[dot]com🎭