Découvrez le célèbre MISERERE MEI, DEUS. Il était autrefois destiné à l'usage exclusif de la chapelle Sixtine du jeudi au samedi saint. Une merveille à nulle autre pareille!
Şah Rıza Pehlevi(1977), Emel Sayın’a büyük hayranlık duyuyordu; Emel Sayın da sık sık Tahran’a giderek özel gösterilerde sahne alıyordu. Bence bu dönemi en iyi sembolize eden şey, Emel Sayın’ın “Kalbimin Sultanı” şarkısını Farsça seslendirmesiydi ki ses de şarkı da muhteşem.
26-year-old Polish guitar virtuoso Marcin Patrzałek responds to those claiming his music is fake.
He created this tutorial-style video to show exactly how he plays so incredibly well – and yes, it’s all performed live on a single guitar.
He is incredible! 👌👌
🇩🇿 Great music of Tuareg Blues by Tamodre Band. Sahara desert, Algeria.
The Tuareg, a semi-nomadic people of Amazigh origin living in the heart of the Sahara Desert, are known as the "Blue Men of the Sahara" due to the indigo-blue veils worn by the men. Preserving their matriarchal traditions and ancient warrior identity amidst the vast dunes of North Africa, this community represents one of the most unique ethnic groups in the region.
🎸 Tuareg Blues, often referred to as Desert Blues, is a hypnotic and deeply evocative genre of music that originates from the Imazighen people of the Sahara Desert, spanning Mali, Niger, Algeria, Libya, Burkina Faso and many other countries.
Rooted in centuries-old Imazighen traditions, it merges the haunting melodies of North African Imazighen music with the raw energy of American blues and rock.
The Imazighen, have long used music as a means of storytelling, resistance, and cultural preservation. Traditional Imazighen music was played on instruments like the teherdent (a type of lute) and the imzad (a one-stringed violin, traditionally played by women). However, in the late 20th century, as Imazighen communities faced displacement, political struggles, and exile, many young musicians turned to the electric guitar, inspired by the revolutionary sounds of Western blues, rock, and reggae.
This fusion created a distinct style-characterized by pentatonic scales, hypnotic rhythms,
call-and-response vocals, and the steady, trance-like repetition reminiscent of both Saharan folk chants and Mississippi Delta blues. The influence of artists like Ali Farka Touré, whose Malian blues style bridged African and American blues traditions, also helped shape the genre.
The music features driving guitar rhythms, often with reverb-heavy electric guitars that produce a shimmering, almost psychedelic effect. Call-and-response vocals reflect lmazighen oral traditions and communal storytelling. The lyrics are poetic and political, speaking of exile, freedom, rebellion, and the vast beauty of the desert. The hypnotic, repetitive structure of the music creates a trance-like atmosphere, deeply connected to the rhythms of nomadic life and the endless expanse of the Sahara.
by Houssaine Ousbouh
This is the most amazing thing you'll see today! 💯
Psalm 50 in Aramaic by Trio Mandili — the language of Jesus. Haunting Miserere (Psalm 51 in Western Bibles).
Grab tissues 🙏🏼
Translation from Aramaic down in the comments.