Scott Pelley issues new statement after being fired by CBS for opposing their pro-MAGA bias:
“New management has instructed me to inject falsehoods and bias into a politically sensitive story. I’ve been told to include assertions that are unverified. To date, in every case, I have managed to ignore these instructions or refuse them.
Recently, politicians have been invited to choose correspondents for interviews on the broadcast. Giving politicians control over 60 Minutes interviews is not how this is done.
Finally, incompetence and unprofessionalism in the new management have wreaked havoc. In a case involving one of my stories, the entire program came within 19 minutes of not getting on the air at all.”
JAŸ-Z responds to Drake's diss ‘The Jig Is Up’ off ‘ICEMAN’ in a new freestyle at the Roots Picnic in Philly 👀
"The jig is up, n**** I'm up 10, wrong chart champ, n****s looked up to Hov, I never looked up to them"
“A rapper can’t be my opp”
BREAKING: Pope Leo XIV makes historic apology for Holy See's own role in legitimizing slavery and for failing to condemn it for centuries. https://t.co/cQz8oU5Wkh
Amazon is worth $2 trillion. But it didn't deign to pay the millions of dollars it racked up in unpaid fines as its’ trucks illegally polluted our air and forced New Yorkers to breathe in their exhaust.
We collected every dollar they owe the people of this city — and will continue to hold them accountable. In New York, corporations are held to the same standard as everyone else.
No company — no matter how large or powerful — is above the law.
The NFL quickly collected a fine for the dunk celebration, then used those same images for promotion.
The Offensive Player of the Year was turned into a comedy segment with Druski, minimizing an award earned through elite performance and hard work.
NFL Honors never acknowledged the poor representation of one of the league’s top individual awards.
The “prestigious” ceremony didn’t even air the pre-recorded acceptance speech.
After months to prepare and ship the award, the only offensive player selected received a Defensive Player of the Year trophy.
At some point, professionalism, respect, and attention to detail should matter.
Tonight @PBSAmerMasters premieres the new film by Rita Coburn about the life and work of the great W.E.B. Du Bois. Hope you have a chance to watch: https://t.co/tyV46KdsPY
Blazers lay off more than 70 employees. From our story:
"The Blazers were one of the largest organizations in the NBA, an unsustainable reality considering they fetch the league’s lowest sponsorship revenue and rank near the bottom in ticket revenue."
https://t.co/gsoM4CiWYb
Herbie Hancock showing Quincy Jones how to use the Fairlight CMI synthesizer - one of the first commercially available digital samplers
Herbie was an early adopter, using the $80,000 machine to compose and arrange, "Rockit," his classic work of early hip-hop/electro/jazz fusion.
The USS Mahan DDG-72 an Arleigh Burke Class Guided Missile Destroyer part of the Ford CSG returns from her extended deployment. Thanks for your service folks and job well done.
Joe Lim estimates that 90 percent of what you see on the internet is advertising in disguise, and he should know. For three years, Lim ran a company called Floodify, which at its peak operated 65,000 dummy social-media accounts used to drum up attention on behalf of paying clients.
The point of this kind of marketing is that nobody is supposed to notice it. But lately, the machinery has started to show.
In April, Justin Bieber headlined two consecutive weekends at Coachella. Coachella is the biggest stage in pop music save only for the Super Bowl, the kind of event that in theory generates its own attention. And yet on both weekends, a Discord server writer Lane Brown had been monitoring hosted paid campaigns for Bieber’s Coachella performances, offering clippers — people who are hired to turn a song, trailer, interview, stump speech, or whatever into short, social-media-friendly fragments — as much as a dollar per thousand views.
“On social media, popular opinion is being formed, measured, and manipulated all at once, and every signal the platforms produce — a trending song, a backlash, a talking point, the feeling that ‘everybody’ is suddenly talking about the same thing — can now be fabricated by unseen actors with hidden agendas,” writes Brown.
“Everybody is doing this now,” Lim says. “And if you’re not, you’re behind.”
Brown reports on how the same techniques are now being used to fool people on every app they go to in order to find out what other people think, not just in music but across entertainment, politics, consumer products, and celebrity gossip: https://t.co/hlcdfSmzPc