Cooper Union IDS

The IDS Public Lecture Series, consists of lectures by artists, theorists, activists, designers, writers, curators and more @CooperUnion

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Register in advance at https://t.co/7NFSeqckJU

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[text version courtesy of https://t.co/5o0DUzV3na] "From the Desire Field" by Natalie Diaz

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@NatalieGDiaz in conversation with Hilton Als courtesy of The Greene Space at WNYC & WQXR.
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Join us tomorrow at 7 PM EST for Natalie's lecture "Origin and Migration / Freedom & Love". Please register in advance at https://t.co/7NFSeqckJU.

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@NatalieGDiaz

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Natalie Diaz published her second book in March 2020 titled “Postcolonial Love Poem” with Graywolf Press. The book “unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in

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Photo Credit [Cauleen Smith, Natalie Diaz, 2020, from the ongoing series Firespitters. Gouache, graphite, and acrylic ink on paper, 12 × 9 in.]

#nataliediaz #cauleensmith #idscooper

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On Tuesday, 2/23, @IDSCooper welcomes @NatalieGDiaz who touches on how we enact the words 'Origin and Migration / Freedom & Love' in speech, silence, & practice https://t.co/uvEDirkew5

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@NatalieGDiaz We are grateful to have you!

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Join us Tuesday 23rd, at 7PM EST via Zoom Webinar. Register in advance at https://t.co/7NFSeqckJU

[Cooper Union IDS @IDSCooper]

Origin and Migration / Freedom & Love. A wondering toward the ways we enact these words in speech, silence, and practice, as they relate to our conscriptions, improvisings and/or refusals of country/citizenship.

[Cooper Union IDS @IDSCooper]

Diaz is Director of the Center for Imagination in the Borderlands and is the Maxine and Jonathan Marshall Chair in Modern and Contemporary Poetry at Arizona State University. She lives in Phoenix, Arizona.
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Tonight at 7 PM EST. Register in advance at https://t.co/7NFSeqckJU

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part of the exhibition Contour: 5th Biennial of Moving Image, Mechelen, Belgium, 2011.) Credit: Courtesy of Contour and Postcommodity.]

[Postcommodity, Graphic Score (Square/Rock and Sling), 2010;]

[Postcommodity, Graphic Score (Sine/War Club), 2010]

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"The work of Indigenous artists serves as one means of countering the historical amnesia that characterizes the Americas, an active forgetting of the blood that has been spilled generations ago on the very ground beneath our feet." -Candice Hopkins

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Join us tonight for "Monuments and the Wounds of History" presented by Candice Hopkins at 7PM EST. Register at https://t.co/7NFSeqckJU.
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Photo Credits

[Postcommodity, Promoting a More Just, Verdant and Harmonious Resolution, 2011. (View of hallway leading to installation as