IFC Center

NYC's state-of-the-art downtown cinema for the best in independent, foreign, documentary and classic films. / NY's Best Art House Theater. - Gothamist

[IFC Center @IFCCenter]

💥Announcing our new series Declaration of Independents! 💥

A 9-day salute to indie filmmakers who asserted their creative freedom during a formative era of American independent cinema.

In persons at select shows. Co-presented by @Indie_Collect

Tickets: https://t.co/PtZdbk2UpF

[IFC Center @IFCCenter]

Have you seen CANE RIVER?

If you haven't, it's a MUST, and it's showing Sun July 5 +
intro by Dominique Jenkins, daughter of director Horace Jenkins.

Part of Declaration of Independents! Co-presented by @indie_collect.

https://t.co/H0yRlgK9ZX

[One Perfect Shot @OnePerfectShot]

CANE RIVER (1982)

Cinematography by Gideon Manasseh
Directed by Horace Jenkins
Explore more shots in our database: https://t.co/r4wvBG6m1l

[IFC Center @IFCCenter]

We're excited to be showing LOSING GROUND and CANE RIVER as part of our upcoming series Declaration of Independents! Co-presented by @indie_collect.
https://t.co/PtZdbk2UpF

[Tambay Obenson @TambayObenson]

Eight years ago, most had never heard of Black filmmakers like Kathleen Collins who directed a film titled "Losing Ground," and Horace Jenkins who directed "Cane River," both in the early 80s; both groundbreaking. When it comes to Black cinema globally, much we may not yet know.

[IFC Center @IFCCenter]

DRUNKEN NOODLES is now playing! https://t.co/1VwbWGww33

[Reverse Shot @reverse_shot]

Highly recommend the frisky, narratively bold, classically queer DRUNKEN NOODLES from Lucio Castro (whose END OF THE CENTURY is one of the great films of the past 10 years), and delighted to have filmmaker Ricky D'Ambrose talk to him for this new interview
https://t.co/z0ALDsyoeA

[IFC Center @IFCCenter]

Rockers hustle and stumble their way to fame, only to discover it's not like they imagined in Fran Rubel Kuzui's love letter to Japanese pop culture.

See a 4k restoration of TOKYO POP on Fri, July 3 (feat. Q&A with dir Fran Rubel Kuzui) and Sat, July 4!

https://t.co/Ay0oj4oA1u

[Magnolia Pictures @MagnoliaPics]

John Early as Maddie Ralph for @InterviewMag 🪽

[IFC Center @IFCCenter]

Our July 3 screening of the 4K restoration of Jim Klein and Julia Reichert's pioneering oral-history documentary SEEING RED, about the midcentury American Communist Party, features an intro by author Clay Risen. Part of Declaration of Independents!

https://t.co/7fIk44QphU

[IFC Center @IFCCenter]

"Richly cast" – Sight & Sound
"A dreamy tale of loss and grief, death and resurrection" – The Daily Beast

Just announced! @davidehrlich will moderate Q&A with Callum Turner following the 6:30 screening of ROSE OF NEVADA on Tues, July 7!

Tickets: https://t.co/gkVG3NKTEt

[IFC Center @IFCCenter]

Don't miss Kathleen Collins’s LOSING GROUND, a complex drama about a couple – philosophy professor (Seret Scott) and her bohemian painter husband (Bill Gunn) – who are hurtling towards a crossroads one sultry summer.

Part of Declaration of Independents! https://t.co/P7HKBVKCtC

[IFC Center @IFCCenter]

DRUNKEN NOODLES is now playing! https://t.co/1VwbWGx3SB

[RogerEbert.com @ebertvoices]

“It’s abt the soul-expanding crossroads that we hopefully find ourselves at whenever we allow a combination of worldly and intellectual pleasures to transport us … to a heightened state.

@simonsaybrams reviews DRUNKEN NOODLES: https://t.co/dY4M7dR85O

[Robert Rubsam @rob_rubsam]

Somehow Maddie's Secret is even better than I was told

[IFC Center @IFCCenter]

Important public service announcement!

After 11 weeks, @SophyRomvari's soaring, textured BLUE HERON, one of the best films of the year per @thefilmstage, @nytimes and probably your own heart, must end Thursday.

https://t.co/2hz0MQV1fD

[IFC Center @IFCCenter]

Join us for TWICE AS NICE, a pre-WNBA comic portrait of players competing to be the first draft pick in a women's pro basketball league!

Screening with the short DREAMS OF PASSION + intro by dir Aarin Burch. Part of our series Declaration of Independents! https://t.co/BmOtmyrzIa

[IFC Center @IFCCenter]

With interviews with friends like John Waters, and recitations of her work by Stephen Colbert, Lucy Dacus, & Steve Buscemi, Sasha Waters’ new doc MARY OLIVER: SAVED BY THE BEAUTY OF THE WORLD shows the poet in all her nuance & brilliance. Opens Fri + Q&As! https://t.co/NC9538khO3

[IFC Center @IFCCenter]

DRUNKEN NOODLES is now playing! https://t.co/1VwbWGx3SB

[Erik Anderson @AwardsWatchErik]

Interview: With 'Drunken Noodles,' Writer/Director Lucio Castro Takes on Sex and Queer Life in the Age of Apps with Grace and Honesty by @doubleofilms https://t.co/qpbfSI6ZmU

[Dark Sky Films @darkskyfilms]

"One of the most daring young voices in indie horror" @screenanarchy

See Avalon Fast's new witchy horror film CAMP, in theaters now.
🎟️ https://t.co/zg3FXSIKsL

[IFC Center @IFCCenter]

DRUNKEN NOODLES is now playing! https://t.co/1VwbWGww33

[Chris Cassingham @CCassingham]

Wrote about Lucio Castro's fantastic "Drunken Noodles". I have an interview with him coming later. Gem of the year, great guy. https://t.co/vUEzDseFZK

[🎥 Kathy 📼 Fennessy 📽️ @kcfennessy.bsky.social @kcfennessy]

I very much enjoyed Canadian director Avalon Fast's second feature, CAMP, which premiered in Seattle at @siffnews. Now playing @IFCCenter, @laemmleglendale, and @alamodrafthouse locations. Opens at the Beacon on July 24 and @nwfilmforum on July 25.

More: https://t.co/jD9gaDNmXq

[IFC Center @IFCCenter]

"This queer Canadian horror story about guilt and forgiveness beautifully splits the difference between Panos Cosmatos and Jane Schoenbrun, and demands to be seen by fans of both." @davidehrlich in @indiewire on CAMP, now playing! https://t.co/RtrWOmOn7h

[Dark Sky Films @darkskyfilms]

See CAMP✨️ In Theaters Now
🎟️ https://t.co/zg3FXSIKsL

[IFC Center @IFCCenter]

See five of @Thefilmstage's top 25 best films of 2026 NOW PLAYING at IFC Center!

BLUE FILM
BLUE HERON
DRUNKEN NOODLES
MADDIE'S SECRET
ROSE OF NEVADA

[The Film Stage 📽 @TheFilmStage]

We pick the 25 best films of 2026 so far as we hit the halfway point of the year: https://t.co/Eh4UqztZ3L