Judith Escalona

[Judith Escalona @ImagEastFilms]

LatinoJustice (PRLDF) must send a team to investigate the the 19 dead and others injured as a civil rights violation by police. Equal protection under the law. A long unspoken history in Uvalde is implicated.

[Judith Escalona @ImagEastFilms]

@AdviceToWriters Either one works for me. There is vastness in a grain of rice. A buddha can be chiseled on the side of a mountain or carved in a block of wood.

[Judith Escalona @ImagEastFilms]

Title sequence of #TearAlongTheDottedLine: As a path, the dotted line is discontinuous and intrinsically precarious for Zero to step through or tear. #tvaestheticsgc

[Judith Escalona @ImagEastFilms]

Interesting topic:
Call for Papers: Unmade, Unfinished, Unseen: Shadow Histories of Cinema and Television https://t.co/jzODtFglBH

[Judith Escalona @ImagEastFilms]

@PaolaPixNY I was fascinated by her description in "Chopsticks and Class Consciousness..." by Alessandro Giammei, one of the articles assigned to us. Quoting the abstract: The essay's "main focus is on Murgia's 2006 book Il mondo deve sapere...[and] its firsthand take on precarity."

[Judith Escalona @ImagEastFilms]

Michela Murgia, good to know in order to contextualize #TearAlongTheDottedLine #tvaestheticsgc https://t.co/glzkTi7Ve9

[Judith Escalona @ImagEastFilms]

@AccessBadBunny Excellent lyricists.

[Judith Escalona @ImagEastFilms]

While deploying the film-tv vocabulary, animation generally and specifically in #TearAlongTheDottedLine conflates the subjective and objective. #tvaestheticsgc

[Judith Escalona @ImagEastFilms]

An atomized, desocialized or privatized self powerless to enact change: Proof positive that self-awareness is not necessarily liberating and can be the consequence of socio-political factors presumably beyond one's control. #tvaestheticsgc #TearAlongTheDottedLine

[Judith Escalona @ImagEastFilms]

Seriality allows viewers to experience Zero's life episodically -- without a dramatic arc -- formulated with a Candide-like resolution. #tvaestheticsgc #TearAlongTheDottedLine

[Judith Escalona @ImagEastFilms]

#TearAlongTheDottedLine is the comically bleak side of Berlusconi's successful Forza Italia (1992-2012). #tvaestheticsgc

[Judith Escalona @ImagEastFilms]

#TearAlongTheDottedLine can be read as a critique of man's ability to explain himself into a corner: Personal analogues to world events render the individual absurd. #tvaestheticsgc

[Judith Escalona @ImagEastFilms]

Narrative pace is determined by Zero relating his life story in the first person while allowing for exchanges with his reptilian self and friends. Subjective and objective lines are drawn to be disrupted by flights of the imagination. #tvaestheticsgc #tearalongthedottedline

[Judith Escalona @ImagEastFilms]

The dotted line is the lane markings on a roadway at night, a path taken and veered from, the outline of a strong man that Zero fails to tear properly. Zero moves from black&white to color in the title sequence. A work in progress? #tvaestheticsgc #tearalongthedottedline

[Judith Escalona @ImagEastFilms]

Zero holds the drawing of himself that is animated. A pictorial rendering of a first person narrative –– that is potentially a mise-en-abyme.
#tvaestheticsgc #tearalongthedottedline

[Judith Escalona @ImagEastFilms]

MiIlennial precarity Italian style. But does Gen Z care? #tvaestheticsgc #tearalongthedottedline

[Judith Escalona @ImagEastFilms]

@nytimes Geezuz! Give a woman a break!

[Judith Escalona @ImagEastFilms]

@theutmostsaggie I am even prouder of you then for what you have accomplished. You can never go back--even if there were a catastrophic occurrence/war blasting us to a minimal existence. But even then. You have already distanced yourself physically, intellectually, financially from that past.

[DMovies @DMovies_org]

Media bias and fake news: our first production ever hits te UK!

At the BFI Southbank:

https://t.co/z2ZlyM5LRR