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Shirley Jackson masters this in The Haunting of Hill House.She’ll give you a stretch of cozy quiet, characters talking, settling in, & it lulls you completely, so when the house does something you’re not braced at all.The calm is the setup.What book knew exactly when to go still?
Dwight Swain called it scene and sequel: action, then a quiet beat to react and reset. Skip the quiet and readers go numb, there’s nothing to measure the tension against. The calm is what makes the next rise land. ♨️
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C.S. Lewis called this “asking the reader to do the job for you,” and he lived by it. He describes a snowy wood or a Turkish Delight so plainly you feel the cold or taste the sweetness yourself. No “it was magical” needed. What habit did you train yourself out of?
C.S. Lewis said don’t tell the reader it was delightful, write it so they say “delightful” themselves. Most of us show something, then explain it anyway. “His jaw tightened, showing his anger.” Search your draft for “showing” and cut what follows. 🌸
Exquisite Corpse Vol. 2: Empty as of Last Tuesday (Part 2 of 2)
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Exquisite Corpse Vol. 2: Empty as of Last Tuesday (Part 1 of 2)
Four writers built this one blind, each only seeing the line right before theirs. Somehow it goes from a moldy tuna sandwich to death by paperwork.
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Dungeon Crawler Carl is one of the most fun series out there right now, & Donut is such a standout. 🩷 We saw Jeff Hays got cast as her voice in the show, which is interesting since he’s voiced every character in the audiobooks for years! Are you hyped or nervous for the show?
Got a Dungeon Crawler Carl-shaped hole in your life? Try He Who Fights With Monsters by Shirtaloon, Cradle by Will Wight, and Beware of Chicken by CasualFarmer. Progression, dark humor, and one wholesome curveball. Three ways to keep the crawl going. 🎮 🗡️
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100 Years of Solitude opens with a man facing a firing squad remembering the afternoon his father took him to see ice, & then just tells you about the ice. You spend the whole gentle scene bracing. García Márquez does in one sentence what most books can’t do in a chapter. 🤯📚✍️
The name for it: prolepsis. A small flash-forward that tells the reader something is coming, without saying what. “It was the last morning the house stood,” & suddenly an ordinary scene aches. Promise the future once, then let the quiet do the work.
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Claire Keegan is who we go back to for this. Foster is a 100 pages and most of what happens is small, meals, chores & small kindnesses, but it lands harder than books 5 times the length. 🥹 She trusts 1 detail to carry a whole feeling. What’s a small detail that stuck with you?📖
Chekhov’s advice was to seize on small details and let the reader assemble the picture. The trick is picking the right one. A red coat is decoration. A red coat still on the hook in July is a story. Find the detail already carrying weight. 🧥 🪝 ☀️
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Jesmyn Ward is who we think of for this. Salvage the Bones puts you straight into the heat and the dirt and the hunger without stopping to tell you a character noticed any of it.
The goal isn’t banning these words forever. It’s catching where you lean on them out of habit.
Filtering is when you write the character noticing a thing instead of the thing. Burroway’s test: readers should look through your character, not at her. “She saw the light move” makes us watch her watch. Cut it and the light just moves. ☀️ 🌳🧍♀️
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Exquisite Corpse Vol. 1: No Word for Yesterday (part 2 of 2)
This is Exquisite Corpse, our community writing game. One writer opens it blind. A few more each add to it, seeing only what came right before them. A closer ties it off. Nobody plans where it goes.
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Exquisite Corpse Vol. 1: No Word for Yesterday (part 1 of 2)
This is Exquisite Corpse, our community writing game. One writer opens it blind. A few more each add to it, seeing only what came right before them. A closer ties it off. Nobody plans where it goes.
#ExquisiteCorpse
Frankenstein is the rare book that makes you protective of the “monster.” He never asked to exist, never asked to be alone, and you just want someone in that story to be kind to him once. Mary Shelley pulled that off as a teenager.Which misunderstood monster stuck with you?🔥🖤🔥
The best gothic novels know a secret: the real monster is never the obvious one. 🕯️ Frankenstein by Mary Shelley, The Picture of Dorian Gray by Oscar Wilde, and Mexican Gothic by Silvia Moreno-Garcia. The monster is rarely the one in the mask. 🥀 🖤 🏚️
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Read anything by Cormac McCarthy & then Hemingway back to back and you can basically hear two different heartbeats. 🫀 The rhythm is doing as much work as the words. We started reading our own drafts out loud and it changed everything. Whose sentence rhythm lives in your head? 🎶
Gary Provost taught: sentences of the same length drone like a stuck record. Vary them and the prose becomes music. Short to catch, long to carry. Rhythm speeds a pulse or slows it, without the reader noticing. Pace is a feeling, not an accident.
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